Daniel Garcia Diego

”Huellas” tastes like Jazz and flamenco winds, it is full of freshness and vitality, and somehow, brings together leading composer with the distilled and concentrated Flamenco essence. An overview of this art seen from the outside to inside and from inside out. A flamenco feeling between the sound of a jazz band. A vision of improvisation with new references. Meeting and dispersion at the same compass. An execution for those who feel, breathe and know these fundamentals, which are none others than the deepest soul where there is no time or place.

Jérôme Lejeune continues his History of Music series with this boxed set devoted to the Renaissance. The next volume in the series after Flemish Polyphony (RIC 102), this set explores the music of the 16th century from Josquin Desprez to Roland de Lassus. After all of the various turnings that music took during the Middle Ages, the music of the Renaissance seems to be a first step towards a common European musical style. Josquin Desprez’s example was followed by every composer in every part of Europe and in every musical genre, including the Mass setting, the motet and all of the various new types of solo song. Instrumental music was also to develop considerably from the beginning of the 16th century onwards.