Dark Melody of Madness

White-haired Melody  eBooks & eLearning

Posted by insetes at Oct. 1, 2018
White-haired Melody

White-haired Melody By Yoshikichi Furui
2008 | 275 Pages | ISBN: 1929280467 | PDF | 62 MB
Ragnarok - Psychopathology & Collection Of The History 1994-2016 (2016) [Limited Edition]

Ragnarok - Psychopathology & Collection Of The History 1994-2016 (2016)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2CD | Agonia, ARCD150 | ~ 817 or 305 Mb | Scans(jpg) -> 94 Mb
Black Metal

There is no country more famous for its Black Metal than Norway. Yet it's sad that so often when thinking of this legacy, people dwell on the leviathans of the genre, often overlooking the lesser known bands who are no less competent. And one such underrated band is RAGNAROK, who are back this year with their eighth full-length album “Psychopathology”, four years after its predecessor “Malediction”…

V.A. - Those Classic Golden Years: Volume 01-Volume 40 (2008) [Re-Up]  Music

Posted by Discograf_man at Sept. 14, 2020
V.A. - Those Classic Golden Years: Volume 01-Volume 40 (2008) [Re-Up]

V.A. - Those Classic Golden Years: Volume 01-Volume 40 (2008)
MP3 CBR 320 kbps | Run Time: 47:49:10 | 6,32 Gb
Genre: Rock, Pop, Country | Label: Rato Records

Compilation CD's. Those Classic Golden Years - An Essential collection the second half of the sixties and the early seventies…

Dead Can Dance - Dionysus (2018)  Music

Posted by popsakov at March 23, 2024
Dead Can Dance - Dionysus (2018)

Dead Can Dance - Dionysus (2018)
EAC Rip | FLAC (Tracks) + Cue + m3u + Log ~ 287 Mb | MP3 CBR320 ~ 133 Mb
Full Scans | 00:36:08 | RAR 5% Recovery
World Fusion / Worldbeat / Neoclassical Dark Wave / Tribal Fusion
[PIAS] Recordings #PIASR440CDX

The follow-up to the pioneering Australian art pop duo's 2012 comeback LP Anastasis, Dionysus dispenses with the more song-oriented approach of its predecessor in favor of an atmosphere-driven bacchanalian oratorio inspired by the Greek god of wine and ecstasy. Split into two tracks with a sum of seven movements, Dionysus unfurls like a guided ayahuasca trip; a curl of aromatic smoke that develops into a roaring, pre-Byzantine bonfire replete with primeval chants and ancient rites. Opener "Sea Borne" tracks the outsider God's arrival via a slow build of tribal beats and a sinewy, unfolding melody that suggests "Misirlou" by way of "Kashmir" – the album continues to eschew the European folk proclivities of the duo's early work in favor a more Mediterranean and North African aesthetic.

Diablo Swing Orchestra Discography (2006-2012)  Music

Posted by v3122 at June 11, 2022
Diablo Swing Orchestra Discography (2006-2012)

Diablo Swing Orchestra Discography (2006-2012)
EAC Rip | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
3CD | ~ 1156 or 411 Mb | Scans
DVD | MPEG2 Video 720x480 (4:3) 29,97fps 8100Kbps | Dolby AC3 48000Hz stereo 256Kbps -> 678 Mb
Avant-garde / Progressive / Jazz Metal

The Diablo Swing Orchestra dates back to 1501 in Sweden, where history tells the tale of an orchestra that played like no other. With music so seductive and divine that the ensemble overwhelmed audiences all over the country, and people from all social classes took them to their hearts. Their performances rapidly earned a reputation of being feral and vigorous and gained the orchestra a devoted crowd that followed them around…
Tatiana Mesniankine & Daniel Gardiole - Sergei Prokofiev, Anthony Girard: D'ombres et de Lumières (2024) [24/96]

Tatiana Mesniankine & Daniel Gardiole - Sergei Prokofiev, Anthony Girard: D'ombres et de Lumières (2024)
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 53:16 minutes | 837 MB
Classical | Label: Da Vinci Classics, Official Digital Download

Noise, the fury of war, the unleashing of madness, and tyrannies marked the twentieth century as a time of shadow. The elements of metal and steel, combined with emotions of hate and death, painted a backdrop many wished to leave behind.
Tatiana Mesniankine & Daniel Gardiole - Sergei Prokofiev, Anthony Girard: D'ombres et de Lumières (2024)

Tatiana Mesniankine & Daniel Gardiole - Sergei Prokofiev, Anthony Girard: D'ombres et de Lumières (2024)
WEB FLAC (tracks) - 219 Mb | MP3 CBR 320 kbps - 123 Mb | 00:53:16
Classical | Label: Da Vinci Classics

Noise, the fury of war, the unleashing of madness, and tyrannies marked the twentieth century as a time of shadow. The elements of metal and steel, combined with emotions of hate and death, painted a backdrop many wished to leave behind.
VA - Technicolor Paradise: Rhum Rhapsodies & Other Exotic Delights (2018)

VA - Technicolor Paradise: Rhum Rhapsodies & Other Exotic Delights (2018)
WEB FLAC (tracks) - 594 MB
2:17:31 | Jazz, Pop, Easy Listening, Mambo, Pacific, Surf, Space-Age, Lounge | Label: Numero Group

It was a musical cocktail born in a marketing meeting: Two parts easy listening, one part jazz, a healthy dollop of conga drums, a sprinkling of bird calls, and a pinch of textless choir. Serve garnished with an alluring woman on the album jacket for best results. Liberty Records co-founder Si Waronker called it Exotica; the soundtrack for a mythical air conditioned Eden, packaged for mid-century, tiki torch-wielding armchair safariers. In the five years after Exotica—Martin Denny’s 1957 landmark Liberty debut—arrived, hundreds of other ethnographic forgeries washed up in record racks all over the U.S., bearing titles like Sophisticated Savage, Sacred Idol, Chant of the Jungle, Polynesian Paradise, Exotic Paradise, Taboo, Primitiva, Forbidden Island, Afrodesia, Hypnotique, Percussion Exotique, and a barrel’s worth of other portmanteaus. “All of those ica and itiva endings I came up with because I thought I was being cute,” Waronker said. “And I don’t know why, but nobody got wise.”
Don Byas - Classic Don Byas Sessions 1944 - 1946 (Remastered) (2023)

Don Byas - Classic Don Byas Sessions 1944 - 1946 (Remastered) (2023)
FLAC (tracks, scans) - 2.2 GB | MP3 CBR 320 kbps - 1.6 GB
11:58:36 | Jazz, Swing, Bop | Label: Mosaic

Don Byas Takes His Place Among the Greats A historical document of jazz at a time when the musicians, steeped in the swing tradition, were creating and setting the mold for the modern sounds of bebop. An Underappreciated Master
While Don Byas is lauded for his breathtaking solos – sumptuous and creamy on ballads, thoughtful and potent on uptempo numbers – his absence from the scene in the U.S. and a lack of recorded evidence might be reasons he is unfairly overlooked.
Starting today, Mosaic Records presents that evidence. Don Byas — who claimed to be inspired by Art Tatum more than any horn player — always considered himself more of a swing musician than a bebopper, but that might be because harmonic and rhythmic innovation were such important components of his personal style that he may not even have realized what an innovator and inspiration he was. Tenor saxophonists who followed him couldn’t help but take note of his highly inventive phrasing, with melodies that disregarded bar lines when he was still working on a thought; notes that squeezed in hurriedly to ornament the end of a line; and seductive shifts in register that were always unexpected surprises. If your ears and experience prepared you for something more typical, Byas gave you that and more.
Don Byas - Classic Don Byas Sessions 1944 - 1946 (Remastered) (2023)

Don Byas - Classic Don Byas Sessions 1944 - 1946 (Remastered) (2023)
FLAC (tracks, scans) - 2.2 GB | MP3 CBR 320 kbps - 1.6 GB
11:58:36 | Jazz, Swing, Bop | Label: Mosaic

Don Byas Takes His Place Among the Greats A historical document of jazz at a time when the musicians, steeped in the swing tradition, were creating and setting the mold for the modern sounds of bebop. An Underappreciated Master
While Don Byas is lauded for his breathtaking solos – sumptuous and creamy on ballads, thoughtful and potent on uptempo numbers – his absence from the scene in the U.S. and a lack of recorded evidence might be reasons he is unfairly overlooked.
Starting today, Mosaic Records presents that evidence. Don Byas — who claimed to be inspired by Art Tatum more than any horn player — always considered himself more of a swing musician than a bebopper, but that might be because harmonic and rhythmic innovation were such important components of his personal style that he may not even have realized what an innovator and inspiration he was. Tenor saxophonists who followed him couldn’t help but take note of his highly inventive phrasing, with melodies that disregarded bar lines when he was still working on a thought; notes that squeezed in hurriedly to ornament the end of a line; and seductive shifts in register that were always unexpected surprises. If your ears and experience prepared you for something more typical, Byas gave you that and more.