Dark Pretty Boy

Collection includes 5 studio albums by Culture Club, 7 studio albums by Boy George and also one general compilation.

Four CD set. Demon Music group in conjunction with the Hughes family are proud to present the first official compilation of music from the movies of legendary filmmaker John Hughes, covering the classic eighties period from 1983-1989. For anyone growing up in the 1980s, the films of John Hughes are some of the most iconic of the decade and have created a lasting cultural impact still felt and referenced across TV, film and music. As well as the characters and stories created in these iconic movies, what made John Hughes' movies different from the rest was the symbiotic relationship between scene and music. Whether Cameron Frye staring at the painting in Ferris Bueller's Day Off set to The Dream Academy's "Please, Please, Please Let Me Get What I Want (Instrumental)", Duckie and Andie from Pretty In Pink at prom set to Orchestral Manoeuvres In The Dark's "If You Leave", or even Neal and Del's classic "Those aren't pillows" scene from Planes, Trains and Automobiles set to Emmylou Harris' "Back In Baby's Arms". The 4CD booklet includes memories from Matthew Broderick, James Hughes, Tarquin Gotch, Ron Payne, plus track-by-track sleeve notes.

"Clark After Dark" was recorded in London in September, 1977 and, as the title suggests, features Terry playing flugelhorn over orchestral arrangements of mostly familiar ballads. The program includes 'Misty,' 'Nature Boy,' 'Georgia On My Mind,' 'November Song,' 'Clark After Dark,' 'Willow Weep For Me,' 'Yesterdays,' 'Emily,' 'Angel Eyes' and 'Girl Talk.' Besides Terry, the only other musician identified individually is conductor Nat Peck, who's also credited with playing piano, despite being best known as a trombonist.

Jordan, a nerdy girl, her horror fan brother Hunter, and their dad travel to Transylvania when they learn they've inherited a castle from a mysterious great uncle. The castle holds many secrets and one of them turns the klutzy Jordan into a werewolf. While Hunter finds himself forced to wrangle his newly confident, werewolf sister, he also uncovers a conflict brewing that will pit his family against dark ancient forces.

For anyone growing up in the 1980s, the films of John Hughes are some of the most iconic of the decade and have created a lasting cultural impact still felt and referenced across TV. As well as the characters and stories created in these iconic movies, what made John Hughes movies different from the rest was the symbiotic relationship between scene and music.