David Johnson

Tobacco Road was recorded limited line up live (without audience!) at "Golden Slipper" in Chicago with one on two guitars (Jimmy Johnson, David Matthews), bass (Ike Anderson) and drums (Dino Neal), October 19, 1977. Johnson with a high, soul infected voice sings and plays guitar in the tradition of three kings. He interpreted "Sweet Little Angel", by b.b.of Albert "Breaking Up Somebody's Home"."Look Over Yonder" comes from Elmore James.The title track of "Tobacco road",a classic,is known in versions by the Blues Magoos, Eric Burdon, Lou Rawls, Edgar winter, etc. The 1997 reissue of Storyville Records features four bonus tracks.

Tobacco Road was recorded limited line up live (without audience!) at "Golden Slipper" in Chicago with one on two guitars (Jimmy Johnson, David Matthews), bass (Ike Anderson) and drums (Dino Neal), October 19, 1977. Johnson with a high, soul infected voice sings and plays guitar in the tradition of three kings. He interpreted "Sweet Little Angel", by b.b.of Albert "Breaking Up Somebody's Home"."Look Over Yonder" comes from Elmore James.The title track of "Tobacco road",a classic,is known in versions by the Blues Magoos, Eric Burdon, Lou Rawls, Edgar winter, etc. The 1997 reissue of Storyville Records features four bonus tracks.

Altoist David Sanborn has long been one of the leaders of what could be called rhythm & jazz (R&B-oriented jazz). His debut for Warner Brothers was a major commercial success and helped make him into a major name. The music is fairly commercial but certainly danceable and melodic. Even at that point in time, Sanborn's alto cries were immediately recognizable; the Brecker Brothers, guitarist Steve Khan and Howard Johnson on baritone and tuba are prominent in support.

Altoist David Sanborn has long been one of the leaders of what could be called rhythm & jazz (R&B-oriented jazz). His debut for Warner Brothers was a major commercial success and helped make him into a major name. The music is fairly commercial but certainly danceable and melodic. Even at that point in time, Sanborn's alto cries were immediately recognizable; the Brecker Brothers, guitarist Steve Khan and Howard Johnson on baritone and tuba are prominent in support.

Sanborn's '83 release brought a new meaning to late night or midnight music listening ! By no means is this elevator muzak, either ! In fact, Sanborn was on the cutting edge in using drum machines and synthesizer arrangements without stifling his sax playing or throwing the whole project out of whack. Sanborn's playing is very upfront and sharp ! While the recording may sound dated, it is only in a very good positive way to demonstrate what is lacking in some of today's so-called pop-jazz or r & b instrumentalists.