David Bowie Stage 1978

The third installment in a comprehensive deluxe reissue series of David Bowie's entire catalog, A New Career in a New Town (1977-1982) chronicles perhaps the most artistically ambitious phase in Bowie's career – one that began with 1977's Low and concluded with 1980's Scary Monsters (And Super Creeps)…

David Bowie - Welcome to the Blackout (Live London '78) (2018) {2CD Set Parlophone CDDB 7782}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 761 Mb | MP3 @320 -> 257 Mb
Full Artwork @ 600 dpi (jpg) -> 146 Mb | 5% repair rar
© 1978, 2018 Parlophone Records | CDDB 7782
Rock / Classic Rock / Art Rock / Experimental / Glam

Originally released as a Record Store Day exclusive in April 2018 but swiftly receiving a CD and digital release, Welcome to the Blackout (Live London '78) gathers 24 highlights from David Bowie's two-night stint at Earls Court on June 30 and July 1, 1978. Apart from "Sound and Vision" and "Be My Wife," which appeared on a 1995 compilation, this album consists of previously unreleased – but heavily bootlegged – live performances, all dating from the end of Bowie's 1978 tour. Stage, which came out a few months after this performance, captures the same tour, but Welcome to the Blackout isn't as stiff as that contemporaneously released double album.

Singer, songwriter, guitarist, and pianist Peter Hammill is a veteran of the rock genre, recording in excess of 40 albums both alone and as a band leader for more than 30 years. A frequent collaborator and friend of Peter Gabriel, Hammill achieved high regard in his native Great Britain and across Europe. Hammill and Gabriel played an important role in the development of progressive rock, leading the art-prog-rock bands Van der Graaf Generator and Genesis respectively and singing in a theatrical, wordy, typically English style…

Collins is never far in spirit from the 1940s and 1950s gin mills of his youth, where he soaked up blues, R&B, country and western, jazz, and all their various amalgams. On this 1983 date he impressively revitalizes his old Texas hit "Don't Lose Your Cool," turns the heat up on Guitar Slim's "Quicksand," and adds newfangled vocal and guitar insinuations to Big Walter Price's "Get to Gettin'."

Released in October 1984, Them or Us is Frank Zappa's last studio rock album (unless one counts Thing-Fish). It contains a little of everything for everyone, but most of all it has that cold and dry early-'80s feel that made this and other albums like The Man From Utopia and Frank Zappa Meets the Mothers of Prevention sound dated pretty quickly. The record begins and ends with covers. "The Closer You Are" is one of those '50s R&B tunes the man loved so much. As for the Allman Brothers' "Whippin' Post," it answered a request from an audience member in Helsinki back in 1974 (go figure). In between one finds the usual offensive lyrics - the cliché-ridden "In France," the sexually explicit "Baby, Take Your Teeth Out." Crunchy guitars are found in "Ya Hozna" and "Stevie's Spanking" (named after Steve Vai, playing guitar in it, too), arguably one of Zappa's best straightforward rock songs from that period…