David Goode Bach: The Complete Organ Works

David Goode continues his new series of the complete organ works of Johann Sebastian Bach, played on the Metzler Söhne organ of Trinity College Chapel, Cambridge. This ninth volume includes the Fantasia and Fugue, BWV 537 as well as the “Trio after Telemann”, BWV 586. David Goode is Organist at Eton College, combining this post with a flourishing performing career.

David Goode continues his new series of the complete organ works of Johann Sebastian Bach, played on the Metzler Söhne organ of Trinity College Chapel, Cambridge. This seventh volume for March 2018 includes festive works such as In dulci jubilo.

David Goode continues his new series of the complete organ works of Johann Sebastian Bach, played on the Metzler Söhne organ of Trinity College Chapel, Cambridge.

Signum Classics is a leading British independent label fueled by a passion to produce and nurture great music, where integrity and creativity are valued at the highest level. Founded in 1997, Signum boasts a catalogue of over 500 titles and continues to release 50+ new recordings each year by internationally acclaimed artists such as The King’s Singers, Alessio Bax, Tamsin Waley-Cohen, Julian Bliss, Philharmonia Orchestra, James Rhodes, Gabrieli Consort & Players under Paul McCreesh and Tenebrae.

David Goode is releasing a new album titled "Mozart Organ Works" on July 3, 2025, featuring his arrangements and interpretations of Mozart's works for organ. The album includes pieces like the Suite in C Major, K. 399, the Fantasia in F Minor, K. 594, and selections from the Londoner Skizzenbuch, K. 15a, among others.

Following on from his JS Bach Complete Organ Works collection performed on the organ at Trinity College Cambridge, David Goode returns with an album of organ works by WA Mozart. It is well known that Mozart highly esteemed the organ as an instrument (for example, his famous ‘King of Instruments’ remark) and enjoyed improvising at length. However, this sadly did not translate into writing for the instrument. Organist David Goode explores these works, and those which even may not have been intended for organ, and discusses in his programme notes how best to render them for two hands and feet, and how to register them suitably.