David Lynch

In addition to his prodigious careers as a director, writer, producer, sound designer, and carpenter (to name a few), David Lynch also stretched his artistic reach to music. He collaborated heavily with his go-to composer Angelo Badalamenti on the scores and soundtracks to his projects, including the music for Blue Velvet, 1990's iconic Twin Peaks soundtrack, and Mulholland Drive. He also collaborated, with and without Badalamenti, on pop albums such as Julee Cruise's Floating into the Night (which featured songs she performed on the Blue Velvet and Twin Peaks soundtracks) and jazz guitarist David Jaurequi's Fox Bat Strategy. Lynch teamed with sound engineer John Neff for Blue Bob, a one-off project that the duo recorded in Lynch's home studio. The director worked with Danger Mouse and Sparklehorse's Mark Linkous on Dark Night of the Soul, a project that featured Lynch's photography and Linkous and Danger Mouse's music, and also included a song sung by Lynch. Though the project was intended for release in 2009, legal issues prevented it from being distributed until mid-2010. Later that year, Lynch released the double-sided debut single Good Day Today/I Know, which was released by the U.K. imprint Sunday Best. Featuring Lynch on vocals and all instruments, the single was given a physical release in early 2011 and featured artwork by 4AD designer Vaughan Oliver. A full album, Crazy Clown Time, followed in 2011. Lynch returned with his second album, the avant rock/blues fusion Big Dream, in mid-2013. In 2015, Sacred Bones reissued Polish Night Music, a 2007 collaboration with pianist/composer Marek Zebrowski that they recorded while the director was working on the film Inland Empire.

One of the most distinguished filmmakers working today, David Lynch is a director whose vision of cinema is firmly rooted in fine art. He was motivated to make his first film as a student because he wanted a painting that “would really be able to move.” Most existing studies of Lynch, however, fail to engage fully with the complexities of his films’ relationship to other art forms. The Film Paintings of David Lynch fills this void, arguing that Lynch’s cinematic output needs to be considered within a broad range of cultural references.

Blue Bob, the self-titled debut from director David Lynch and collaborator John Neff's musical project, delivers a moody, edgy, rock-based sound that is similar to the work the duo introduced on the soundtrack to Lynch's brilliant film Mulholland Drive, and is also akin to Thought Gang, the group Lynch formed with composer Angelo Badalamenti for the Twin Peaks: Fire Walk with Me soundtrack. Not surprisingly, Blue Bob mixes atmospheric, vaguely noir-ish soundscapes with blankly surreal lyrics, creating the musical equivalent of one of Lynch's movies. While he's an inspired director and often a talented musician – the songs he wrote for Julee Cruise's work on the soundtracks for Blue Velvet and the Twin Peaks TV series and movie, and her own album Floating into the Night, are unsurpassed in their twisted dreaminess – Blue Bob isn't as consistently successful as some of his other musical endeavors. Most of the pieces here aren't quite as evocative as Lynch and Neff's soundtrack work,

From his cult classic television series Twin Peaks to his most recent film Inland Empire (2006), David Lynch is best known for his unorthodox narrative style.