This is the final recording of the David S. Ware Quartet with drummer Marc Edwards, who would be replaced by Whit Dickey, who would be replaced later by Susie Ibarra. What is most notable about Flight of I is how Ware, completely oblivious to his critics, turned in his straightest ever recording, though no one could remotely call it "inside." The disc opens with one of Ware's compositions, "Aquarian Sound," which showcases the stunning complexity and beauty of Matthew Shipp's pianism. Opening with a series of vamps and augmented minor chords, he lays an opening ground for Ware to join the band.
Writer and producer Leon Ware has been responsible for some of R&B and pop's most lush and romantic tracks. Ware produced Marvin Gaye's 1976 classic I Want You. He also co-wrote songs like Michael Jackson's "I Wanna Be Where You Are," Marlena Shaw's "Sweet Beginnings," and the Main Ingredient's "Rollin' Down a Mountainside" to name a few. This album is the follow-up to his 1976 Gordy release Musical Massage and was released shortly after he was behind the controls for nine of the ten tracks of Melissa Manchester's Don't Cry Loud. Inside Is Love has the intelligent and melody rich work fans expect from Leon Ware. Produced by Ware and Ron Roker, this has arrangements from David Blumberg, Gene Page, and Sonny Burke. Although he's not the world's strongest vocalist, his methodical, light tenor gives these songs a personal stamp. The first track, "What's Your Name" has Ware playing his naïve lothario act to the hilt. The magnificent "Love Is a Simple Thing," co-written by Chicago member Robert Lamm, possesses a chorus that is both poignant and uplifting.
Capturing the groundbreaking Cecil Taylor Unit's second set at the Power Center, Michigan State University at Ann Arbor, on Thursday, April 15th 1976, this document was recorded for broadcast on WCBN-FM's Jazz Alive program. Featuring Taylor on piano, backed by his long-term sideman Jimmy Lyons (alto sax), David S. Ware (tenor sax), Raphe Malik (trumpet), and Marc Edwards (drums), it offers a fascinating glimpse into Taylor's uncompromising vision, and is presented here in its entirety, with digitally remastered sound, background notes, and rare images.