De La Soul

Millie Pulled A Pistol On Santa was the third single by De La Soul in support of their second album, De La Soul Is Dead. It was a "double A-side" which featured "Keepin' The Faith" as well, the song of which was turned into a video through its remix. This CD5 features two mixes of the title track (including an instrumental) and six mixes of "Keepin' The Faith".

Itzsoweezee (Hot) is the second single by De La Soul off of the Stakes Is High album. This one features a great remix from Jay Dee, a/k/a Dilla. This was released by Tommy Boy Records.

Ego Trippin' (Part Two) was the second single in support of De la Soul's Buhloone Mind State album. Released in 1993 by Tommy Boy Records, the CD features four different mixes of the title track, two different mixes of "Ego Trippin' (Part Three)" and a non-LP track called "Lovely How I Let My Mind Float".

Oooh. is the 2000 single by New York rap group De La Soul, which features Redman in the choruses. Camp Lo are in "So Good" because they are good. This was released in the UK by Tommy Boy Records.

This stylishly devised programme juxtaposes cantatas by Rosenmüller, Krieger and Buxtehude with instrumental chorales and sonatas by Scheidemann, Praetorius, Tunder and Weckmann; most of these now known, if at all widely, as forerunners to Bach rather than as fine musicians in their own right as they deserve to be. During the 17th and 18th centuries, Hamburg became a leading commercial port where material and cultural goods circulated freely. Ensemble Méridien has chosen this city as the focal point of a fascinating musical journey through northern Germany, a journey that reveals different aspects of this artistic power. The port of Hamburg was also the driving force behind the north German organ school of the time. Churches were overflowing with magnificent organs, and their building and playing techniques reached extremely high standards, as is evident from the organ music included here. Though most of the music in this recital has been recorded before, it has only appeared on relatively obscure labels, and not in this imaginative context where one may more fully appreciate its dramatic as well as musical merits.