Dead End 1937

A double-disc box set containing everything Robert Johnson ever recorded, The Complete Recordings is essential listening, but it is also slightly problematic. The problems aren't in the music itself, of course, which is stunning and the fidelity of the recordings is the best it ever has been or ever will be. Instead, it's in the track sequencing. As the title implies, The Complete Recordings contains all of Johnson's recorded material, including a generous selection of alternate takes. All of the alternates are sequenced directly after the master, which can make listening to the album a little intimidating and tedious for novices. Certainly, the alternates can be programmed out with a CD player or mp3 player, but the set would have been more palatable if the alternate takes were presented on a separate disc…

A double-disc box set containing everything Robert Johnson ever recorded, The Complete Recordings is essential listening, but it is also slightly problematic. The problems aren't in the music itself, of course, which is stunning and the fidelity of the recordings is the best it ever has been or ever will be. Instead, it's in the track sequencing. As the title implies, The Complete Recordings contains all of Johnson's recorded material, including a generous selection of alternate takes. All of the alternates are sequenced directly after the master, which can make listening to the album a little intimidating and tedious for novices. Certainly, the alternates can be programmed out with a CD player or mp3 player, but the set would have been more palatable if the alternate takes were presented on a separate disc…

This sampling of Louis Armstrong's vocal-oriented recordings features all but one from the 1949-56 period. Guests include Louis Jordan, the Mills Brothers and Bing Crosby ("Gone Fishin'"), but in general the music is somewhat commercial and of lesser interest than most of Satch's readily available CDs.

Towering figure of the Delta blues, whose high, ghostly wail and dauntingly nimble guitar work lent his music frightening emotional power.
If the blues has a truly mythic figure, one whose story hangs over the music the way a Charlie Parker does over jazz or a Hank Williams does over country, it's Robert Johnson, certainly the most celebrated figure in the history of the blues. Of course, his legend is immensely fortified by the fact that Johnson also left behind a small legacy of recordings that are considered the emotional apex of the music itself. These recordings have not only entered the realm of blues standards ("Love in Vain," "Crossroads," "Sweet Home Chicago," "Stop Breaking Down"), but were adapted by rock & roll artists as diverse as the Rolling Stones, Steve Miller, Led Zeppelin, and Eric Clapton….