Music in Time of War, the new double-album from pianist Kirill Gerstein, places the music of Komitas, pioneer of ethnomusi- cology and founder of the Armenian national school of music, alongside that of Claude Debussy, a seminal composer in the late 19th and early 20th centuries who held a deep admiration of Komitas’s music. Both composers were profoundly affected by the implosion of their worlds – Komitas by the Armenian Genocide, Debussy by the First World War – and their music reflects a close emotional alignment. Music in Time of War grew from Gerstein’s fascination with music’s power to reflect a narrative. The project will be released as a double CD album and will be accompanied by a hardcover book containing a series of illustrations and detailed essays in three languages commissioned by the pianist.
Debussy Centenary Discoveries offers new insights into a captivating, inventive and influential musical genius. Each recording on these 3-CDs is in some way a first: Chanson des brises and Diane aux bois make their debut appearance in any form; the unfinished opera La Chute de la Maison Usher is heard just as Debussy left it; the Chansons de Charles d'Orléans appear in their original version, while Debussy's transcriptions of his own Jeux and Khamma, and of works by Schumann, Raff and Saint-Saëns, are also new to the catalogue. Pianists Philippe Cassard and Jean-Pierre Armengaud are among the musicians who lead this fascinating voyage of discovery.
Recognised internationally as a conductor of the highest calibre, Stéphane Denève took up the post of Music Director of the Royal Scottish National Orchestra in 2005, and has since attracted attention from audiences and critics alike. This May, the conductor bids a fond farewell to Scotland and the RSNO with a series of ‘Au Revoir’ concerts, and of course, this disc of orchestral works by Debussy.
First recorded collaboration between one of the leading sopranos of our time, Juliane Banse, and the incomparable pianist András Schiff. The programme is a fascinating combination of two different worlds of 'Liedgesang' - in language as well as musical style and historicity.