Decoration Day

Zubin Mehta and Los Angeles Philharmonic - Complete Decca Recordings (2020) {38CD Box Set, Decca 485 0374}
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© 2020 Decca Records | 485 0374
Classical / Orchestral

Zubin Mehta’s tenure of over 16 years as the musical director of the ‘LA Phil’ marks an important chapter in the orchestra’s history. The recorded portrait of the musical partnership between the first American orchestra to be exclusively contracted by a British recording company and the dynamic maestro is explored here in this new edition.

While Jealous is propelled by the scarily spare stomp of Hook's guitar, it has few standout moments. Instead, it is a consistent record, with few highs or lows - it's a standard contemporary blues album, without many peaks or valleys. Jealous may be a grittier record than its successor, The Healer, but it tends to fade into the background, making it one of his more undistinguished albums.

Fve CD set. The complete Eyeless in Gaza Cherry Red recordings, compiled and curated by Martyn Bates and Pete Becker. Their entire 1981-1986 output for the label re-worked into five thematic suites by the band, bringing new life and light to familiar and much-loved material. Includes the classics 'Invisibility', 'Veil Like Calm', Kodak Ghosts Run Amok', 'New Risen' and many more. A brilliant introduction for the curious and a fascinating re-visit for long-term fans. During the first half of the 1980s, few artists cut a path as individual and self-contained as Eyeless in Gaza. Over six albums and several classic singles, the duo followed their muse in multiple different directions at once, unrestrained by any desire to fit in with whatever was going on around them. Bursts of primal electronica sat comfortably alongside reflective ballads and lo-fi recordings and polished productions were equally valued, all of it pulled together by Martyn Bates' unmistakable vocals and a singular, minimalist approach to songwriting.

Nostalgia is a powerful tool. It’s been 16 years since the release of the album, but I easily remember what those days surrounding the release of the record were like. The excitement, the ambition, the comradeship, the triumphant tour to come, it was all there, about to carry the band to another level, musically and journey wise. “Once” instantly became Nightwish’s watershed album.

In November 1984 Sir Colin Davis conducted a performance of Messiah in Munich which, says the booklet which comes with these records, ''was a revelation to public and performers alike''. The surprising fact is that Messiah was previously almost unknown there. Enthusiasm was such that a recording was quickly organized with the same soloists. At rehearsal Sir Colin told the chorus to forget the B minor Mass; ''this is the world of Italian opera'', and as a result many of the choruses ''dance with a vitality born of freshness and discovery''.