Deep Purple Singles A's & B's (1993){warner Wpcr 2115}

Deep Purple - Deep Purple in Rock (1970). In 1970 heavy metal was just beginning and it was Deep Purple that combined the heaviness and the speed to form what we now know as heavy metal. "In Rock" is one of those seminal albums. Deep Purple's fourth studio album, and the first with the classic Mk II lineup was their breakthrough album. Heavy guitar riffs from Ritchie Blackmore and heavily fuzzed organ from Jon Lord were now the order of the day. The opening track, the fully restored, un-edited, complete, full-length 5:55 version of "Speed King" shows no mercy as it instantly blasts out of the speakers with a raw, unbridled hard rock sound. Also included is the 10-minute epic and all-time concert favorite, "Child in Time"…

Machine Head is the sixth Deep Purple studio album. It was recorded at the Grand Hotel Montreux, Switzerland in December 1971 with the Rolling Stones Mobile Studio, and released in May 1. The album is often cited as being very influential in the development of the heavy metal music genre. It is Deep Purple's most successful recording, topping the charts in several countries following its release. In 2001 Q magazine named it as one of the 50 Heaviest Albums of All Time. Machine Head is the subject of one of the Classic Albums series of documentaries about the making of famous albums. Machine Head was released on the multichannel formats Super Audio CD (2003) and DVD-Audio (2001).

The first compilation conceived by Deep Purple as opposed to the band's record company, and it's a flawless representation of the band's Mark II identity at its very best…

The first compilation conceived by Deep Purple as opposed to the band's record company, and it's a flawless representation of the band's Mark II identity at its very best…

The Book of Taliesyn is the second studio album by English rock band Deep Purple, recorded only three months after Shades of Deep Purple and released by Tetragrammaton Records in October 1968, just before their first US tour. The name for the album was taken from the 14th-century Book of Taliesin. The structure of the album is similar to that of their debut, with four original songs and three rearranged covers, although the tracks are longer, the arrangements more complex and the sound more polished than on Shades of Deep Purple. The music style is a mix of psychedelic rock, progressive rock and hard rock, with several inserts of classical music arranged by the band's keyboard player Jon Lord.