Deign

"The coolest class on campus" – The New York Times

Sam Hopkins was a Texas country bluesman of the highest caliber whose career began in the 1920s and stretched all the way into the 1980s. Along the way, Hopkins watched the genre change remarkably, but he never appreciably altered his mournful Lone Star sound, which translated onto both acoustic and electric guitar. Hopkins' nimble dexterity made intricate boogie riffs seem easy, and his fascinating penchant for improvising lyrics to fit whatever situation might arise made him a beloved blues troubadour.

New Dimension to look at Analog circuits( Single stage /Cascode / Cascade ). Tips and tricks to solve complex circuits

There is a method to Dustin Wong's madness & cyclical cohesion in the seemingly swirling chaos of his new album for Hausu Mountain. Peppering the delightfully unhinged, psilocybin swayed electronica with warm & playful percussion, he also effortlessly threads some ambient Americana & good natured new age nods through one of the freshest, freakiest yet friendly electronic LPs I've heard in a while.

Damned if they do, damned if they don't that was the conundrum facing Linkin Park when it came time to deliver Minutes to Midnight, their third album. It had been four years since their last, 2003's Meteora, which itself was essentially a continuation of the rap-rock of their 2000 debut, Hybrid Theory, the blockbuster that was one of the biggest rock hits of the new millennium. On that album, Linkin Park sounded tense and nervous, they sounded wiry rap-rock without the maliciousness that pulsed through mock-rockers like Limp Bizkit. Linkin Park seemed to come by their alienation honestly, plus they had hooks and a visceral power that connected with millions of listeners, many of whom who were satisfied by the familiarity of Meteora. They may have been able to give their fans more of the same on their sophomore effort, but Linkin Park couldn't do the same thing on their third record: they would seem like one-trick ponies, so they'd be better off to acknowledge their advancing age and try to mature, or broaden their sonic palette. Yet like many other hard rockers, they were the kind of band whose audience either didn't want change or outgrew the group and considering that it had been a full seven years between Hybrid Theory and Minutes to Midnight, many fans who were on the verge of getting their driver's license in 2000 were now leaving college and, along with it, adolescent angst.

Learn Design Modeler usage and simulation of various Static Structural, Modal and Thermal Analysis Modules

Singer-guitarist and leader of the Danish band DAD, Jesper Binzer has released with his band a number of albums, some of which ("No Fuel Left For The Pilgrims" and "Riskin 'It All" in mind) have become the classic of hard rock. More than thirty years after the beginnings of the training, and thanks to the "creative" break (because?) Taken by DAD, the man with the always long hair (reference to the song "I Will not Cut My Hair" and also the title of his autobiography), takes the opportunity to release his first solo album entitled "Dying Is Easy" and comes out without drums or trumpets at Warner Music Denmark.