Previously available as individual titles in VHS and Laserdisc formats (now out-of-print and highly collectible), Strange (1988) and Strange Too (1990) are compilations of the provocative and visionary short films lensed by master photographer / director Anton Corbijn, in collaboration with Depeche Mode, to create a new visual iconography for the band and their music. Available for the first-time in DVD and Blu-ray configurations and as a single collection, Strange/Strange Too presents 11 Anton Corbijn / Depeche Mode music films, newly restored from original Super 8mm sources, alongside six previously unseen outtake "vignettes" from the DM archives. When assembling the final edits for Strange and Strange Too, Corbijn created a visual running order where the individual music videos are perceived as one continuous film, with additional interstitial content not seen in the original clips.
Whether the band felt it was simply the time to move on from its most explicit industrial-pop fusion days, or whether increased success and concurrently larger venues pushed the music into different avenues, Depeche Mode's fifth studio album, Black Celebration, saw the group embarking on a path that in many ways defined their sound to the present: emotionally extreme lyrics matched with amped-up tunes, as much anthemic rock as they are compelling dance, along with stark, low-key ballads. The slow, sneaky build of the opening title track, with a strange distorted vocal sample providing a curious opening hook, sets the tone as David Gahan sings of making it through "another black day" while powerful drums and echoing metallic pings carry the song…