Depeche

Spirits in the Forest is a Depeche Mode documentary & live concert film by the English electronic music band Depeche Mode. Directed by award-winning filmmaker and long-time artistic collaborator Anton Corbijn. The film chronicles the final concert of the band's Global Spirit Tour at the Waldbühne in Berlin, Germany, as well as the stories of six fans of the band…

Remixes 2: 81–11 is a remix compilation album by English electronic music band Depeche Mode, released on 6 June 2011 by Mute Records. The album is the band's second remix collection, following Remixes 81–04 (2004). It spans the band's entire career and includes new arrangements by former Depeche Mode members Vince Clarke and Alan Wilder. The compilation concludes the band's recording contract with EMI…

When news surfaced in 1995 that Alan Wilder had departed Depeche Mode to concentrate on his solo project Recoil, the immediate concern among fans was whether the band would be able to hit past heights again. Though Wilder's profile was always much lesser than that of Martin Gore and David Gahan - and almost even that of Andy Fletcher, whose nonperformance live has always been a running joke in the fan community and who freely admits to generally being around merely to maintain a vibe with his childhood friend Gore - his capability at arranging the songs over the years gave the band its increasingly distinct, unique edge. Combined with Gahan's near suicide and lengthy recovery from drugs, things looked bleak…

In a time of sociopolitical upheaval, Depeche Mode emerged with Spirit. Dark, brooding, and painfully relevant upon its release, the collection is one of their most intense and aggressive statements, isolating the frustration, anger, tension, and dread coursing across the globe in the wake of the 2016 U.S. presidential election and Brexit. With little subtlety, Depeche Mode take aim and leave few survivors. Producer James Ford (Simian Mobile Disco, Arctic Monkeys, Florence + the Machine) revives the trio after their two prior lackluster efforts and turns Spirit into a highlight of their late era, the strongest effort since 2005's Playing the Angel. From a fiery pulpit, Dave Gahan hurls line after line chastising the masses, wondering how the world got into such a bind.

When Ultra was declared the best Depeche Mode album since Violator, those who said so must have forgotten about Songs of Faith and Devotion. When Exciter was declared the best Depeche Mode album since Violator, those who said so must have also forgotten about Songs of Faith and Devotion, in addition to having found a roundabout way of saying that it was merely better than Ultra. There's no doubt this time: Playing the Angel is both the band's best album since Violator and, more significantly, an album that is near Violator in stature. The biggest clue dropped by the band prior to its release was a quote from Dave Gahan, who said that being in Depeche Mode is better than it has been in 15 years. Some quick math reveals that Gahan was hinting at the Violator era, a time when the band's creativity and popularity peaked synchronously…