Karl Böhm's Vienna Philharmonic Beethoven cycle is Deutsche Grammophon's best kept secret. Not only is it the finest complete set of Beethoven symphonies in their catalog, it's also far and away the best recorded, and to make matters even more irresistible, it's also the least expensive (it's available on three "twofer" sets). These performances are typical: weighty, intense, powerful, and magnificently played. Listen especially to the (comparatively) neglected Fourth Symphony: if Böhm doesn't convince you that this is major Beethoven, then no one can.
Lisa Batiashvili presents a fine selection in chamber and orchestral music of popular, but also newly recorded Bach pieces. This includes the first ever recording of Bach’s famous aria “Erbarme Dich, mein Gott” in a transcription for violin, oboe and orchestra on Deutsche Grammophon. First ever recording of C. Ph. E. Bach’s Trio Sonata in b flat minor for violin, flute and BC on Deutsche Grammophon. For this Lisa teams up with the world’s famous flutist from Berliner Philharmoniker, Emmanuel Pahud. For one of the real hits on that CD, the double concerto for violin and oboe BWV 1060, Lisa collaborates with her husband, the oboist Francois Leleux. An interpretation from the heart!
Pianist Jan Lisiecki, just out of his teens when this recording was released, might have been expected to take a safe path with his recording of one of the most popular concertos in the repertory, the Schumann Piano Concerto in A minor, Op. 54. He has done anything but. This recording is unusual in several respects. It eschews the almost universal pairing with the Grieg Piano Concerto in A minor, Op. 16, in favor of a pair of late Schumann works that are rarely performed. But the real news here is the antiheroic and completely counter-to-type Schumann concerto itself. Lisiecki takes as a point of departure a waggish remark by Franz Liszt that the work is a "concerto without piano."
The compact disc, as a sound carrier, was still on the horizon when Herbert von Karajan urged his record company to utilize the new digital technology in his recordings. Consequently Karajan's Magic Flute, recorded in 1980, became the first release of a Deutsche Grammophon digital production and was first released on LP. By the time the maestro died in 1989, the CD had finally replaced the LP as the primary sound carrier, yet he was realistic enough to know that the pioneering early stages of the digital era would be followed by further technical development. This is reflected in Karajan Gold.
Deutsche Grammophon presents the second and final volume of Ferenc Fricsay’s complete recordings for the label. Vol. 2 gathers the totality of Fricsay’s œuvre with the human voice, covering all of his opera, orchestral song and choral recordings on 37 CDs.
“One of the most masterly instrumentalists in the world today”— New York Times. Here, collected for the first time in a 3-CD set, are all of Ravi Shankar’s recordings on Deutsche Grammophon brought together in celebration of his 90th birthday. For George Harrison he was “the Godfather of Western Music;” for Yehudi Menuhin “his genius and his humanity can only be compared to that of Mozart’s.” No other musician of his time has garnered such glowing and enthusiastic praise. Complete Recordings on Deutsche Grammophon. Special packaging: digipack, new liner notes, photos of Shankar and musicians.
There seems something soberingly final about the title of Deutsche Grammophon's collection, which brings together recordings of all the music Pierre Boulez acknowledges, from the 12 Notations for piano of 1946 to Dérive 2, the churning, turbulent ensemble piece that reached its latest, 44-minute form in 2006. Boulez is now 88; his eyesight is known to be failing, and new works such as the Waiting for Godot opera planned for La Scala may never be fulfilled. Similarly, the scores long marked "work in progress" in his catalogue may for ever remain just that. As Claude Samuel says in his wonderfully perceptive and informative notes to the set, "more than anyone else's, Pierre Boulez's oeuvre has not known completion and never will". What's on these 13 discs, then, is likely to be the body of work on which Boulez's place in the history of 20th-century music will be assessed.
In celebration of Carlos Kleiber's 80th anniversary, here, for the first time ever, is a unique, limited-edition 12-CD box-set of his complete Deutsche Grammophon recordings: each one a classic — presented in top audio quality.