Dexter Gordon

This excellent Columbia album was recorded less than a year after Dexter Gordon's well-publicized tour of the United States following a dozen years spent living in Europe. With assistance from such other major players as trumpeters Woody Shaw and Benny Bailey, vibraphonist Bobby Hutcherson sounds in superlative form on Woody Shaw's "The Moontrane," four standards, and his own "Fried Bananas." In addition to the original program (which features Dexter with an all-star tentet), the 1997 CD reissue adds two 1979 features for vocalese singer Eddie Jefferson ("Diggin' It" and "It's Only a Paper Moon") that were originally released on Gordon's Great Encounters; trumpeter Shaw and trombonist Curtis Fuller co-star with Gordon. An excellent acquisition.

Dexter Gordon's second recording for Blue Note is a solidly swinging affair, yet constantly full of surprises. It's not unexpected that Gordon's tenor at this time (1961) was one of the most enjoyable in mainstream jazz, but his transition from the cool California scene to the hotter music environs of New York City had energized his sound and attitude. A first-time pairing with bassist Paul Chambers has something to do with this, but it also inspires pianist Kenny Drew to a great extent, while drummer Philly Joe Jones is his reliable, energetic self, and always works well with Gordon. Where Gordon's fluent melodic sense is perfectly demonstrated during the simple-as-pie groove waltz "Soul Sister," the steady, steamy bopper "I Want More," and the familiar Charlie Chaplin evergreen "Smile," his sense of expanding the specific line upon soloing is truly remarkable…

This excellent Columbia album was recorded less than a year after Dexter Gordon's well-publicized tour of the United States following a dozen years spent living in Europe. With assistance from such other major players as trumpeters Woody Shaw and Benny Bailey, vibraphonist Bobby Gordon sounds in superlative form on Woody Shaw's "The Moontrame," four standards and his own "Fried Bananas." In addition to the original program (which features Dexter with an all-star tentet), the 1997 CD reissue adds two 1979 features for vocalese singer Eddie Jefferson ("Diggin' It" and "It's Only a Paper Moon") which were originally released on Gordon's Great Encounters; trumpeter Shaw and trombonist Curtis Fuller co-star with Gordon. An excellent acquisition.

Blue Note's handy roundup series moves on to chronicle the '60s label stint of a bebop veteran. Returning to the States from Europe to cut several dates, Dexter Gordon managed to produce some of his best stuff for Alfred Lion's venerable jazz company. This fine disc features many of the highlights, including both breezy swingers and dusky ballads. Ranging from an incredible bop long-player with trumpeter Donald Byrd ("Tanya") to one of his patented after-hours smoothies ("Don't Explain"), Gordon reveals his large store of talent with solos that are both intricate and beguiling, and that's his mode for a set that also takes in bossa nova ("Soy Califa") and some fetching originals ("Cheese Cake"). Gordon novices should start here.

Dexter Gordon - The Complete Blue Note Sixties Sessions [6 CD Set] (1996) {Blue Note}
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© 1996 Blue Note / Capitol | 7243 8 34200 2 5
Jazz / Hard Bop / Saxophone

The Complete Blue Note Sixties Sessions is an attractive six-disc box set featuring all of Dexter Gordon's '60s recordings for the label in chronological order. Such classic albums as Dexter Calling and Go! were recorded during these years, and they are presented in their entirety, as are two complete sessions that have been previously unavailable on CD and several unreleased alternate takes. For serious Gordon fans and musicologists, it's an essential collection, but its very thoroughness makes it less appealing to casual fans, who would be better off acquiring the individual albums.

When he expatriated to Scandinavia just before this session in Paris was recorded, Dexter Gordon said he was liberated in many ways, as a jazz musician and as a human being. This is reflected in the lengthy track on this album, a testament to that newly found freedom.

Two exceptional live concerts from the 1960’s : Dexter Gordon in Copenhagen 1969 and Ben Webster in London 1964. Dexter is featured in a quartet format backed by the great Kenny Drew on piano, the late Danish bassist NHOP and the relatively obscure South African drummer Makaya Ntshoko (Ben Webster is present and can be seen among the audience, in the Cafe Montmatre!). Webster’s performance is also with a quartet - featuring the immaculate Stan Tracey on piano, bassist Rick Laird (who 7 years later was a founder member of The Mahavishnu Orchestra), and Jackie Dougan on drums. On “A Night in Tunisia”, Ronnie Scott joins the group - after all, Tracey, Laird & Dougan were his then current quartet and the house trio at his club, although this date was at The Marquee.