Diane Keaton

A man who had a stroke 17 years ago (Hume Cronyn) is left incapacitated and bed-ridden. He has been cared for by his daughter Bessie (Diane Keaton) in their Florida home, and totally ignored by his other daughter, Lee (Meryl Streep), who moved to Ohio with her husband 20 years ago and has never contacted her family. Now, however, Bessie's doctor has informed her that she has leukemia and needs a bone marrow transplant[3] and she turns to her sister for help…

Carol, Diane, Jane, Sharon, 4 donne alle prese con gli eterni problemi sentimentali. La loro vita scorre piuttosto noiosa fino a quando la lettura di Cinquanta Sfumature di Grigio la cambierà irrimediabilmente. Ispirandosi allo scandaloso romanzo, vivranno nuovi amori, vecchi ritorni di fiamma, situazioni esilaranti e sconvenienti… Saranno finalmente pronte a entrare nel nuovo capitolo della loro vita?

After a break of more than 15 years, director Francis Ford Coppola and writer Mario Puzo returned to the well for this third and final story of the fictional Corleone crime family. Two decades have passed, and crime kingpin Michael Corleone (Al Pacino), now divorced from his wife Kay (Diane Keaton), has nearly succeeded in keeping his promise that his family would one day be "completely legitimate." Determined to buy redemption, Michael and his lawyer B.J. (George Hamilton) are working on a complicated but legal deal to bail the Vatican out of looming financial troubles that will ultimately reap billions and put Michael on the world stage as a major financial player. Michael is in failing health and suffers a mild diabetic stroke. Stylish mob underling Joey Zaza (Joe Mantegna) is muscling into the Corleone turf. And then there's Vincent Mancini (Andy Garcia), the illegitimate and equally temperamental son of Michael's long-dead brother Sonny. Vincent desperately wants in to the family (both literally and figuratively), and at the urging of his sister Connie (Talia Shire), Michael welcomes the young man and allows him to adopt the Corleone name. However, a flirtatious attraction between Vincent and his cousin, Michael's naïve daughter Mary (Sofia Coppola) develops, and threatens to develop into a full-fledged romance and undo the godfather's future plans.

Francis Ford Coppola's legendary continuation and sequel to his landmark 1972 film, THE GODFATHER, parallels the young Vito Corleone's rise with his son Michael's spiritual fall, deepening THE GODFATHER's depiction of the dark side of the American dream. In the early 1900s, the child Vito flees his Sicilian village for America after the local Mafia kills his family. Vito (Robert De Niro) struggles to make a living, legally or illegally, for his wife and growing brood in Little Italy, killing the local Black Hand Fanucci (Gastone Moschin) after he demands his customary cut of the tyro's business..