Live Recordings 1955 - 1994. The wide-ranging repertory in which Christa Ludwig appeared at the Vienna State Opera, often surprising her audiences over a period of many years, is central to the present set of three CDs issued to mark her 80th birthday. It begins with her Cherubino from Le nozze di Figaro and her Composer from Strauss' Ariadne auf Naxos, both of which she sang at the Salzburg Festival soon after her Vienna State Opera début in 1955.
Georg Solti was a Hungarian conductor known for his work with the Chicago, London, and Paris Symphony Orchestras. During his more than 50 years in the classical music industry, he recorded more than 40 operas and made more than 250 recordings with the Chicago Symphony Orchestra. Solti was influenced and taught by some of the most well-known composers and conductors in the industry, including Béla Bartok, Leo Weiner, Zoltan Kodaly, and Ernst von Dohnanyi. Richard Strauss was one of his favorite composers; on the composer's 85th birthday, Solti performed Der Rosenkavalier.
This album is a collection of recordings he left with Krauss recording from 1929 to 1954.
His main work is opera recording, as well as recording and choral work as a concert conductor, and his accompanied songs, and a variety of his recordings to meet a variety of.
Granting a long-held wish of many record collectors, Sony Classical is issuing the complete monaural American Columbia discography of Eugene Ormandy and the Philadelphia Orchestra in a vast box set of 120 CDs, all in new remasterings. Almost all of this material will be appearing for the first time on CD on Sony Classical. Indeed, 152 of these recordings have never been released at all on CD before now.
This 31CD-box brings together all the operatic recordings that the German conductor Wolfgang Sawallisch (1923-2013) made in the years from 1956 to 1993 for EMI Classics and Electrola (now Warner Classics). Aged 11, Wolfgang Sawallisch (1923-2013) heard a performance of Humperdinck's fairytale opera Hänsel und Gretel in his native Munich and, there and then, decided that he wanted to be the man in the orchestra pit who waved his arms and made things happen. It took him a while - war service as a radio operator and a spell as a prisoner of war delayed the inevitable - but by his late 20s he was conducting opera at Augsburg (starting with Hänsel und Gretel) and he had barely turned 30 when at Aachen he became the youngest Generalmusikdirektor in Germany.
The Chicago Symphony Orchestra shines in this recording under the direction of Sir Georg Solti. From the delicate second movement to the robust finale, the Chicago Symphony Orchestra shows its musical dexterity, performing every note with the greatest musical sensibility. Simply the best interpretation of Dvorak's 9th symphony in recent years, this performance is a must have for serious music lovers.