Originally released as a Record Store Day exclusive in April 2018 but swiftly receiving a CD and digital release, Welcome to the Blackout (Live London '78) gathers 24 highlights from David Bowie's two-night stint at Earls Court on June 30 and July 1, 1978. Apart from "Sound and Vision" and "Be My Wife," which appeared on a 1995 compilation, this album consists of previously unreleased – but heavily bootlegged – live performances, all dating from the end of Bowie's 1978 tour. Stage, which came out a few months after this performance, captures the same tour, but Welcome to the Blackout isn't as stiff as that contemporaneously released double album.
This black vinyl 45 rpm 12” single features the first appearance of the full length demo of ‘Let’s Dance’, previously released in an edited form through digital download and streaming services for David’s birthday on 8th January this year. The full length version clocks in at 7.34, compared the edit which is 5.19 in length. Both versions were mixed by Nile Rodgers (original co-producer of the demo with David) in December of last year. The demo is backed by the live version of ‘Let’s Dance’, which was recorded live at Pacific National Exhibition Coliseum in Vancouver on 12th September 1983 and mixed by Bob Clearmountain. This version can be seen on the Serious Moonlight concert film, and was also previously available on the reverse of the Australian David Bowie Is exhibition as an exclusive yellow vinyl 7” single. The sleeve of the 12” single is a colour variation of the original Let’s Dance single cover.
Started as the so called "Krautrock Guerrilla" in 2012, six years later the Berlin combo Camera are releasing their fourth full-length album. Customarily associated with the likes of NEU! and La Düsseldorf it is time to allow Camera to break free of the krautrock tradition and accept that they are very much doing their own thing now. Motto: "It's not repetition, it's discipline."
For a band that originated over thirty years ago and has seen the comings and goings of three lead singers and countless band members, Mystery retains one of the most consistent sounds of any progressive rock group. Whether that is a good thing or bad thing is a subjective determination, but as is the case with bands in other genres such as Boston or Katatonia — what you hear is what you get, album after album after album…