Director Suite 365

Collegium Musicum 90’s sterling work on behalf of Telemann continues with this pleasing selection of five orchestral works, two of which – the Ouverture-Suite in F sharp minor and the Concerto for two Oboes d’amore – are otherwise not currently in the catalogue, and two of which – a violin concerto composed for Pisendel and an Ouverture-Suite in D major – are found there in only one other version.

London-based early music group L'Avventura announces the launch of their debut CD, a unique collection of previously unrecorded music by Handel. Fighting the deluge of re-recordings and re-issued CDs in this Handel anniversary year, Opella Nova Records is pleased to present a new group with a completely different take on the venerated composer. The playful, eminently-listenable Handel in the Playhouse is the debut album of new early music ensemble L'Avventura London, directed by Zak Ozmo, and is based on new musicological research. Consisting mainly of previously unheard English playhouse music composed by Handel, the recording is perfectly timed to coincide with the anniversary of the composer's death.

Rodelinda, Regina de' Longobardi was the 7th opera Handel wrote for the Royal Academy of Music founded in 1719. It was premiered at the King's Theater in the Haymarket on February 13, 1725, with great success, as chroniclers report. There were 14 performances in the first season and 8 in each of the revivals in the following season and in 1731, for which Handel revised the work. Thus, it is not surprising that, after nearly 190 years of oblivion, it should have been Rodelinda, now in a German language version and called Rodelinde, which marked the beginning of the 20th century revival of Handel's operas on June 26, 1920, during the Gottingen Handel Festival.

The music of Mieczys?aw Weinberg continues to be issued, and continues to impress. Like his British counterpart, York Bowen, Weinberg was a composer trapped in time and place, and it is good that their very different musics are now coming to the fore with such regularity. One of the wonderful things about this disc, aside from the committed, intense playing of the instrumentalists, is the sound: crisp and clear, with only a very little reverb, which brings the sound of the instruments into sharp focus and makes the listener pay attention to the music.