Diva Futura 1989

The diva of the title is a famous black opera singer (Wilhelmina Wiggins-Fernandez) who steadfastly refuses to be recorded. The singer is idolized by young French mail-carrier Jules (Frederic Andrei), who sneaks a tape recorder into the theater and records her performance. This is witnessed by a pair of Taiwanese criminals, who unlike Andrei wish to profit from the bootlegged recording. They begin to pursue the boy, as do a couple of home-grown hooligans who believe that Jules is in possession of some murder evidence. The serpentine plot leads to a warm friendship between Jules and the reclusive diva - and to a brilliantly photographed (by Philipe Rousselot) motorcycle chase through the subway tunnels of Paris. Diva marked the directorial debut of Jean-Jacques Beineix, whose obvious fondness for the more esoteric techniques of the Nouvelle Vague never impedes his willingness to simply entertain his audiences.

During the silent period, a surprising number of opera stars found themselves starring in movies, especially in Europe, and while the voices that were their fortune could not be heard, their hyper-emotional histrionics often communicated with unusual power on the big screen. Filmmaker Peter Delpeut, who previously examined the mysterious and otherworldly images of early cinema in Lyrical Nitrate, has compiled footage from a dozen operatic silents released between 1913 and 1920 in his feature Diva Dolorosa. Edited for emotional and visual impact rather than narrative clarity, Diva Dolorosa features vintage performances from such singing stars as Lyda Borelli, Pina Meichelli, and Francesca Bertini. The film also boasts an original score by Loek Dikker, which was performed with a live orchestra for the film's world premiere at the 1999 Holland Film Festival.

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