Doing More With Less

I’ve been with State Faults since day one. And I’m not trying to flex or humblebrag, I just want to illustrate my connection with the band. State Faults used to be called Brother Bear. They put out a dreamy and ethereal EP called Head in The Clouds. Then they changed their name to State Faults and put out two exceptional post-hardcore records. And then they took a break, and I never expected them to put out another record. I was content with their body of work, screamo bands tend to be short-lived and I viewed those two records and EP as a blessing. State Faults were one of my favorite bands. And until Clairvoyant, I and others used to have to bug people to "please check out this band and take my word for it that they’re great." I'd tell people "Hey, the music is really tight, it’s harsh but weirdly soothing at the same time, and the singer’s voice is unreal!" This plea was usually effective - you can gander at the averages for State Faults’ previous work on this very site to see the proof - but it always took some nudging and convincing. Presently State Faults has proved it’s great. I don’t have to bug anymore, this album is blowing up on its own, and that’s a testament to just how fantastic it is. 6/20/19 is day one of a new era for State Faults - an era of soaking up new fans like a sponge. After years of toiling in the underground, two records, a break, touring, and sleeping on floors State Faults have broken through, all on the strength of this record. I’ve been here since day one, but right now is the best time to be a State Faults' fan.

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