Don Byas

The title of this album is misleading for, although Cannonball Adderley produced the session, no "tribute" takes place. Adderley could always recognize talent and he was wise to get the veteran tenor Don Byas (who had not recorded since 1955) back on record. Teamed in Paris with trumpeter Idrees Sulieman, pianist Bud Powell, bassist Pierre Michelot and drummer Kenny Clarke, Byas proved to be in prime form on a variety of jazz standards including "Just One of Those Things," "Cherokee" and "Jeannine."

Bookended by several pleasant yet minor blues and pop vocals by Albina Jones and Ruble Blakey, this Classics Don Byas disc finds the unsung tenor great on the eve of his indefinite stay in Europe. Having cut his teeth in the bands of Lionel Hampton, Andy Kirk, and Count Basie, among others, Byas marked the end of the war with several fine combo recordings spotlighting his boppish swing blowing style. Here is a generous chunk from 1945, featuring a few different lineups and the likes of Dizzy Gillespie, Buck Clayton, Errol Garner, Slam Stewart, and Sid Catlett. Byas is in top form throughout, plying his smoky and slightly tart tone on ballads like "Laura," while showing off a lithe brand of swing on an up-tempo "The Sheik of Araby." Not as solid as Classics' 1944-1945 volume, but still a fine selection for Byas completists.

Don Byas was one of the great tenor saxophonists of the 1940s, a Coleman Hawkins-influenced improviser who developed a complex style of his own. His permanent move to Europe in 1946 cut short any chance he had of fame, but Byas recorded many worthy performances during the two years before his departure. On Classics' first Don Byas CD (which contains his first 21 numbers as a leader), Byas matches wits and power with trumpeter Charlie Shavers on two heated sessions that include pianist Clyde Hart and bassist Slam Stewart. He also plays swing with trumpeter Joe Thomas and pianist Johnny Guarnieri in a 1945 quintet and leads a quartet that, on four of its eight numbers, welcomes the great blues guitarist/singer Big Bill Broonzy…

Don Byas was a giant of the tenor sax, though his accomplishments were all but overlooked in his native land once he moved to Europe for good. This CD from Universal Music's Jazz in Paris series compiles three separate studio sessions from the early '50s, all with different rhythm sections. Most of the tracks are standard ballads, featuring the leader throughout. His expressive take of "Laura" shows off a big tone with a bit of vibrato much like Ben Webster in his later years. The one original is his snappy "Riviera Blues," a lively number likely improvised on the spot. Had he remained in the U.S., it is possible that Don Byas might have been ranked along with Coleman Hawkins, Lester Young, and Ben Webster in the top echelon of tenor saxophonists, so anyone unfamiliar with his work should seek out this very affordable collection.

His recording career as a leader in the United States lasted for about two years, from 1944-46. In the autumn of 1946 Don Byas left for Europe touring with the Don Redman Band; essentially, from that point on he simply stayed in Europe until his death in 1972. Considering the time period, and the extent of his talent, expatriation was a doubtful career move if he was concerned with his place in the contemporary jazz scene and ultimately his place in jazz history.
This four disc set, Don Byas: Complete American Small Group Recordings, documents Byas’ recordings as a leader prior to his emigration, with one disc documenting his work as a sideman in a variety of bands. Although he was later to record extensively in Europe, Byas should be established as a major tenor saxophonist based on this four disc set alone.

This fourth volume in the complete recordings of tenor saxophonist Don Byas opens with 13 sides recorded for the Savoy label in May of 1946. On the opening session, three gorgeous ballads are chased with a blistering version of Ray Noble's "Cherokee" and a mellow stroll through "September in the Rain." About three months later the saxophonist resumed recording for Savoy, now backed by a tougher rhythm section in drummer Max Roach, bassist Leonard Gaskin, and pianist Sanford Gold. These deservedly famous sides represent Byas at the very peak of his early maturity. A rare parcel of four recordings originally issued on the Gotham label finds Byas accompanied by a trio including pianist Beryl Booker…

Don Byas - Complete 1946-1951 European Small Group Master Takes (2001) {3CD Set Definitive Records DRCD 11214}
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© 1946-51, 2001 Definitive Records / Disconforme | DRCD 11214
Jazz / Bop / Swing / Saxophone

The European recordings by a jazzmen who played a crucial role in the transition from Swing to Bop. Only master takes. One of the greatest of all tenor players, Don Byas' decision to move permanently to Europe in 1946 resulted in him being vastly underrated in jazz history books. His knowledge of chords rivalled Coleman Hawkins, and, due to their similarity in tones, Byas can be considered an extension of the elder tenor. He played with many top swing bands, including those of Lionel Hampton (1935), Buck Clayton (1936), Don Redman, Lucky Millinder, Andy Kirk (1939-1940), and most importantly Count Basie (1941-1943).

Don Byas - Walkin' (1963) {Black Lion BLCD760167}
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© 1963 Black Lion / Phonoco | BLCD760167 | CD-R on-demand
Jazz / Bop / Saxophone

The second of two CDs taken from the same appearances at the Montmartre in Copenhagen as A Night in Tunisia, this release showcases the masterful (if underrated) tenor Don Byas in a quartet with pianist Ben Axen, bassist Niels Pedersen and drummer William Schiopffe. Byas was always a powerful player and he digs into such songs as "There'll Never Be Another You," "Billie's Bounce" and "All the Things You Are," coming up with exciting and consistently inventive ideas. All jazz collections should have at least a couple of Don Byas albums.

Don Byas - Midnight at Minton's, Original 1941 Recording (1999) {HighNote HCD7044} (featuring Thelonious Monk & Kenny Clarke}
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© 1941, 1999 HighNote Records | HCD 7044
Jazz / Bop / Swing / Bebop / Tenor Saxophone

Tenor saxophone legend Don Byas is heard with great clarity on this, a relative jam session, as is vocalist Helen Humes (the first two cuts) and ostensible leader/trumpeter Joe Guy, whose high energy solos are very good in spots. Less audible in the mix are pianist Thelonious Monk and drummer Kenny Clarke, working in this band while bebop was fermenting. These two would lead the bop charge later in the '40s at Minton's Playhouse, the bebop concubine/jazz club in N.Y.C. The music is pretty much swing material, with Humes tossing in a ballad ("Stardust") and a bluesy number ("Exactly Like You") while the instrumental "Indiana" is all fired up, and they typically chill down "Body & Soul."