Doo Wop Rhino

The Coasters were the 1950s' (and early rock's) dominant novelty/comic R&B ensemble, benefiting from Jerry Leiber and Mike Stoller's lyrical wit and inspired production. They weren't simply proficient clowns; the Coasters were a skilled vocal unit whose talents were utilized on slice-of-life narratives, prophetic youth manifestos, and even an occasional teen anthem, as well as the prototype humorous vehicles "Yakety Yak" and "Poison Ivy." Although Rhino has already given them the deluxe two-disc treatment, consumers who either don't want that much Coasters material or prefer only the hits are nicely served by this 16-track anthology. It contains every major release, plus valuable lesser-known selections such as "Shoppin' for Clothes" and "What About Us."

Various Artists - The Complete Stax & Volt Singles 1959-1968 (1991) {9CD Set Reissued 2016 Digitally Remastered}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.64 Gb | MP3 @320 -> 1.51 Gb
Full Artwork @ 300 dpi (png) -> 215 Mb | 5% repair rar
©1959-68, 1991, 2016 Atlantic / ATCO / Rhino / Warner | 081227954666
R&B / Blues / Soul / Doo Wop / Early Pop / Funk / Soul-Blues / Early R&B

9CD reconfiguration of original Atlantic box set, featuring every A-side the label released during those nine years, as well as several B-sides. The set is a definitive portrait of gritty, deep Southern soul. For any serious soul or rock collector, it's an essential set, since Stax-Volt was not only a musically revolutionary label, its roster was deep with talent, which means much of the music on this collection is first-rate. 11 of these singles charted on Billboard.

This triple-disc 79-song compilation looks pretty impressive, and in some ways it is, representing most of the best work of each incarnation of the Drifters from 1953 through 1976. There's a lot of classic music here, including all of the big hits and many interesting (even musically glorious) flops and B-sides, but the limitations of three CDs make this less than ideal. Atlantic had already released a pair of two-CD sets, Let the Boogie Woogie Roll: Greatest Hits 1953-58 and All-Time Greatest Hits & More: 1959-1965, eight years earlier, each of which covers those major periods in question far more generously than does this box – although it must be conceded that the sound on the cuts included on Rockin' & Driftin' is improved over those late-'80s digital transfers, good as they seemed at the time…

Covering their stint with Josie Records from 1954 to 1960 in a straight chronological fashion with excellent liner notes from John Neilson, this particular compilation offers great value for the bread and should be one of your very first stops in assembling a definitive doo wop collection. The Cadillacs were one of the first and one of the very best, and here's where you go to dig their basic message before proceeding further.

This 18-track compilation contains Temptations B-sides, non-hit cuts and obscure sides recorded from 1963-1974. It includes such sumptuous ballads as "What Love Has Joined Together" and "Gonna Keep On Trying Till I Win Your Love," plus uptempo wailers and an occasional dud ("Stop The War Now"). The early tracks show the group evolving from its doo-wop roots into soul's premier group. While the cuts on this disc aren't the ones that made The Temptations popular music institutions, they're still a vital part of their legacy.

The J. Geils Band were one of the most popular touring rock & roll bands in America during the '70s. Where their contemporaries were influenced by the heavy boogie of British blues-rock and the ear-splitting sonic adventures of psychedelia, the J. Geils Band were a bar band pure and simple, churning out greasy covers of obscure R&B, doo wop, and soul tunes, cutting them with a healthy dose of Stonesy swagger. While their muscular sound and the hyper jive of frontman Peter Wolf packed arenas across America, it only rarely earned them hit singles. Seth Justman, the group's main songwriter, could turn out catchy R&B-based rockers like "Give It to Me" and "Must of Got Lost," but these hits never led to stardom, primarily because the group had trouble capturing the energy of its live sound in the studio. In the early '80s, the group tempered its driving rock with some pop, and the makeover paid off with the massive hit single "Centerfold," which stayed at number one for six weeks. By the time the band prepared to record a follow-up, tensions between Justman and Wolf had grown considerably, resulting in Wolf's departure, which quickly led to the band's demise. After working for years to reach the top of the charts, the J. Geils Band couldn't stay there once they finally achieved their goal.