Dorati National

Although Hungarian by birth, it was only later in his career that Franz Liszt came to be regarded as a Hungarian national hero. His fifteen Hungarian Rhapsodies, piano pieces in Hungarian gypsy style, won wide popularity, and six of these were later orchestrated, with the help of flautist and conductor Franz Doppler, to whom Liszt himself gave full credit for the work. The six orchestrations are, themselves, lively instrumental pieces, performed on this recording by Antal Doráti & London Symphony Orchestra.

“An absolute must for children young and old (Háry János)”– Grammophone
“The Psalmus Hungaricus receives a bright and forceful performance under Kertész, dramatically sung by tenor Lajos Kozma.”– Gramophone Classical Good CD Guide
"Committed and idiomatic performances recorded in three-dimensional sound. The highlights from the collection are the Suite, the sets of orchestral dances and the Peacock Variations – one of the finest sets ever written; but there is interest too in the rarer Concerto for Orchestra – earlier than Bartók’s and equally nationalistic – and the three-movement Symphony of 1961. – George Hall, BBC Music Magazine
"It’s marvellous to have Kertész’s brilliantly idiomatic performances of Kodály’s best-known works. Peter Ustinov’s narration of Háry János threads the whole together." – Jan Smaczny, BBC Music Magazine
"In Dorati's hands the passionate Andante [from the Symphony] is strong in gypsy feeling and the jolly, folk-dance finale is colourful and full of vitality." – Penguin Guide

This album is a superb recording of Haydn's oratorio The Creation conducted by Antal Dorati and featuring the incredible voices of bass Kurt Moll and soprano Lucia Popp. There is another recording I like, an obscure recording with Roland Bader conducting the Cracow National Philharmonic and the voices of soprano Teresa Seidl, tenor Christian Elsner and baritone Michael Volle. This recording is the best and the singers are divine and it's too bad it's not really well known or circulated. But this recording is dynamic and powerful and beautiful. It would be my second choice of favorite.

Classic recordings of Tchaikovsky's orchestral music, focused around the symphonies, ballet suites, concertos and overtures. Recordings from 1962-1992, from Moscow Philharmonic Orchestra, Pentatone, Musical Concepts, Melodiya and Mercury.

Classic recordings of Tchaikovsky's orchestral music, focused around the symphonies, ballet suites, concertos and overtures. Recordings from 1962-1992, from Moscow Philharmonic Orchestra, Pentatone, Musical Concepts, Melodiya and Mercury.

Offenbach: Gaîté parisienne, Strauss: Graduation Ball (Doráti/MSO)
Vinyl Rip in 24-Bit/96-kHz | FLAC tracks | cue | no log | Covers | FS, MU, HF | 1.07 GB 3% rec
1957 | Genre: Classical | Label: Mercury | Living Presence SR-90016 | US pressing, FR-1/FR-1

Brilliant recording of favorite ballet scores by a conductor who commands an appropriately energetic approach. The sound here is exceptionally live, with remarkable definition of various instruments and real "bite" to the reproduction.

(Billboard, Jan 1958)