Drawing Mentor 14 16

This isn't an academic portrait course. It's the head drawing method I've used as a storyboarder / illustrator for years

Possessing a voice as cool and crystalline as an Alpine stream, Natalie Cressman is a rising singer/songwriter and trombonist who draws inspiration from a vast array of deep and powerful musical currents. She is releasing her 5th album in April 2019, this time in collaboration with Brazilian composer, guitarist and vocalist Ian Faquini. Drawing from impressionism, jazz, and the great Brazilian songwriting tradition, Setting Rays of Summer is a ten-track collection of original material featuring compositions in three different languages: Portuguese, English and French. With the warm instrumentation of acoustic guitar and trombone alongside two-part vocal harmonies hugging the Brazilian-accented Portuguese, Cressman & Faquini weave their musical voices together to create a fully orchestrated sound befitting a much larger ensemble.

The compositions on this CD mark the final forays of Mario Castelnuovo-Tedesco into expansive works crafted for concert guitarists, bound together by a cohesive concept and a consistent unity of inspiration. Most importantly, they stand as the ultimate pieces for solo guitar that the Italian composer managed to fully complete. “Appunti” op. 210, his final composition for solo guitar, commissioned by Ruggero Chiesa, remain unfinished, albeit of notable merit: Castelnuovo-Tedesco’s death precluded their completion, with just the initial two notebooks fulfilled. Moreover, these notebooks were expressly designed for a student audience, since they are characterised by their approachability and mechanical simplicity.

The compositions on this CD mark the final forays of Mario Castelnuovo-Tedesco into expansive works crafted for concert guitarists, bound together by a cohesive concept and a consistent unity of inspiration. Most importantly, they stand as the ultimate pieces for solo guitar that the Italian composer managed to fully complete. “Appunti” op. 210, his final composition for solo guitar, commissioned by Ruggero Chiesa, remain unfinished, albeit of notable merit: Castelnuovo-Tedesco’s death precluded their completion, with just the initial two notebooks fulfilled. Moreover, these notebooks were expressly designed for a student audience, since they are characterised by their approachability and mechanical simplicity.

The Siemens PLM Software team is pleased to announce the availability of NX 1903 (NX 1899 Series). The latest release of NX brings significant new and enhanced functionality in all areas of the product to help you work more productively in a collaborative managed environment.

The Siemens PLM Software team is pleased to announce the availability of NX 1903 Build 1902 (NX 1899 Series). The latest release of NX brings significant new and enhanced functionality in all areas of the product to help you work more productively in a collaborative managed environment.

Create professional pixel art for Platformer, First-Person, RPG, and Isometric style games, designs, and illustrations!

The compositions on this CD mark the final forays of Mario Castelnuovo-Tedesco into expansive works crafted for concert guitarists, bound together by a cohesive concept and a consistent unity of inspiration. Most importantly, they stand as the ultimate pieces for solo guitar that the Italian composer managed to fully complete. “Appunti” op. 210, his final composition for solo guitar, commissioned by Ruggero Chiesa, remain unfinished, albeit of notable merit: Castelnuovo-Tedesco’s death precluded their completion, with just the initial two notebooks fulfilled. Moreover, these notebooks were expressly designed for a student audience, since they are characterised by their approachability and mechanical simplicity.

Among the best-selling composers of our time, Ludovico Einaudi has won a following of millions through his distinctively calm, smoothly unfolding works, which spin unbroken songs from the simplest material and cast a spell of relaxed enchantment over their audience.