Few bands could have conceived of, let alone pulled off, the exercise in excess that Dream Theater have with The Astonishing. In a vast catalog that includes several album-length conceptual statements - Metropolis, Pt. 2: Scenes from a Memory, Six Degrees of Inner Turbulence - this is so extreme that it pushes at what their fans (a fanatical lot) may accept. Guitarist John Petrucci has written a double-disc sci-fi rock opera, set in a dystopian future in an invented country (the package contains maps). In it, music created and/or performed by humans has been outlawed by the state. Only government-sanctioned and programmed machines are entrusted with those functions. A small band of rebels cling to and fight for the vision (and redemption) of human music…
Subtlety and economy aren't words that typically come to mind when pondering a new Dream Theater album, much less one that arrives in the form of a double-disc epic with 34 tracks spanning two-and-a-half hours. Yet counterintuitively, those qualities help the veteran prog-metal quintet's 13th album, The Astonishing, live up to its title.