Rosenberg's musical language in this dreamplay of reaching out for the unattainable is tugged between the poles of Sibelian cool and warm Gallic impressionism. As an opera this is not another Pelléas. It is far too mercurial and word-responsive for that. If anything it has subject connections with other operas: Korngold’s Die Kathrin (CPO) and Schreker’s Die Ferne Klang (Naxos and Capriccio). It occupies a surreal littoral between Puccinian verismo and modernistic objectivity; neither one nor the other……Most warmly recommended.Rob Barnett @ Musicweb-international.com
Jonathan Kent's spectacular production of Purcell's huge semi-opera is joyous, imaginative and witty Glyndebourne, with its intimate auditorium, provides the perfect setting for a drama which is partly spoken and partly sung. Based on an adaptation of Shakespeare's A Midsummer Night's Dream, the story is lavished with a brilliance that justifies this production's acclaim. Paul Brown's inventive designs, Kim Brandstrup's exquisite choreography, an excellent cast of actors and singers and outstanding playing by the Orchestra of the Age of Enlightenment under William Christie combine to make a seamless theatrical experience, here recorded in High Definition and true surround sound.
Jonathan Kent's spectacular production of Purcell's huge semi-opera is joyous, imaginative and witty Glyndebourne, with its intimate auditorium, provides the perfect setting for a drama which is partly spoken and partly sung. Based on an adaptation of Shakespeare's A Midsummer Night's Dream, the story is lavished with a brilliance that justifies this production's acclaim. Paul Brown's inventive designs, Kim Brandstrup's exquisite choreography, an excellent cast of actors and singers and outstanding playing by the Orchestra of the Age of Enlightenment under William Christie combine to make a seamless theatrical experience, here recorded in High Definition and true surround sound.