Drive Henry Ford

The latest from Pulitzer Prize-winner Henry Threadgill, The Other One, is comprised of a three-movement composition entitled “Of Valence” that was the musical component of a large multimedia work performed and recorded live at Roulette Intermedium in Brooklyn, New York in May, 2022. Written for a 12-piece ensemble – made up of an unusual instrumental combination of three saxophones, violin, viola, two cellos, tuba, percussion, piano and two bassoons – The New York Times described the performance as possessing “a galvanic sense of swing,” and “in lock-step with his every surprise rhythmic feint — producing an obliquely danceable, straightforwardly joyous Threadgillian energy.”

The latest from Pulitzer Prize-winner Henry Threadgill, The Other One, is comprised of a three-movement composition entitled “Of Valence” that was the musical component of a large multimedia work performed and recorded live at Roulette Intermedium in Brooklyn, New York in May, 2022. Written for a 12-piece ensemble – made up of an unusual instrumental combination of three saxophones, violin, viola, two cellos, tuba, percussion, piano and two bassoons – The New York Times described the performance as possessing “a galvanic sense of swing,” and “in lock-step with his every surprise rhythmic feint — producing an obliquely danceable, straightforwardly joyous Threadgillian energy.”

The latest from Pulitzer Prize-winner Henry Threadgill, The Other One, is comprised of a three-movement composition entitled “Of Valence” that was the musical component of a large multimedia work performed and recorded live at Roulette Intermedium in Brooklyn, New York in May, 2022. Written for a 12-piece ensemble – made up of an unusual instrumental combination of three saxophones, violin, viola, two cellos, tuba, percussion, piano and two bassoons – The New York Times described the performance as possessing “a galvanic sense of swing,” and “in lock-step with his every surprise rhythmic feint — producing an obliquely danceable, straightforwardly joyous Threadgillian energy.”

Besides cool playing and his uniquely smoky singing, Mose has great taste in material. "Hey Good Lookin'" fits right in with revisited versions of "I Love the Life I Live," "I Ain't Got Nobody" and "Baby Please Don't Go," complete with what the singer himself calls his distinctive "involuntary groan" during the piano solo. Teo Macero's intimate production makes it feel like you're right there in the studio.