Duke Clark

Trumpeter Clark Terry and some of the top Ellington sidemen of the period (trombonist Britt Woodman, altoist Johnny Hodges, tenor saxophonist Paul Gonsalves, Tyree Glenn on vibes, bassist Jimmy Woode, and drummer Sam Woodyard) perform eight songs associated with Duke, but with fresh arrangements. There is plenty of solo space for Terry, Gonsalves, and Hodges, and the arrangements by Terry and Mercer Ellington cast a new light on some of the warhorses; highlights include "C Jam Blues," "Cotton Tail," "Mood Indigo," and "Come Sunday."

Now that Duke Ellington had regained his former commercial success with his performance at the 1956 Newport Jazz Festival, he was free for the remainder of his career to essentially play what he pleased. This live performacne from ranges from old favorites like "I Got It Bad" and "Sophisticated Lady" to the spectacular Britt Woodman trombone feature on "Theme Trambene," the whimsical "Pretty and the Wolf," a fresh rendition of "Harlem Air Shaft" featuring trumpeter Clark Terry and the extended "Harlem Suite." Baritonist Harry Carney, high-note trumpet wizard Cat Anderson and altoist Johnny Hodges all have their great moments on this enjoyable set.

Madame d'amours is an enchanting and pleasingly varied collection of pieces performed for flute consort by The Attaignant Consort. The Consort was founded in 1998 by four graduates (from Australia, France, the Netherlands and Italy) of the Royal Conservatorium in The Hague. Having studied historical flute performance practice under Barthold Kuijken and/or Wilbert Hazelzet, these experts (they also work with such renowned groups as Les Musiciens du Louvre, Freiburger Barockorchester and Musica Antiqua Köln – amongst others) also pursue their passion for the sound world of the Renaissance flute in collaboration with Italian flute maker, Giovanni Tardino. The premise of all concerned is that such consort music aspired to a closeness to the patterns and intonations of the human voice. This was (and is, here) achieved by careful attention to instrumental articulation, expressiveness and dynamic shading. The Attaignant Consort likes to play with facsimiles of the original parts in preference to scores; and from memory whenever possible. For this recording the Consort is joined by harpist Marta Graziolino, lutanist Nigel North and flautist Mathieu Langlois.

Part 1. The tracks within this first of two volumes were drawn from two separate concerts recorded on the same evening at the Alhambra in Paris. Like many releases of quasi-legal origin, it is hard to say that Duke Ellington himself would have authorized the release of these performances, as there are some problems with a squeaky reed in spots. "Take the 'A' Train" is joined in progress, while there are numerous other live versions of medleys like "Black and Tan Fantasy/Creole Love Call/The Mooche" and "Kinda Dukish/Rockin' in Rhythm." That said, the band is in good form. Among the highlights are works of fairly recent vintage: "Newport Up" (showcasing a wild tradeoff of brief exchanges between Clark Terry, Paul Gonsalves and clarinetist Jimmy Hamilton), a medley of "Such Sweet Thunder" and "Sonnet to Hank Cinq," though "What Else Can You Do With a Drum" is a bit of a dud…

AVID Jazz here presents four classic Clark Terry related albums, including original LP liner notes on a finely re-mastered and low priced double CD. “Introducing Clark Terry”; The Dave Bailey Sextet-”One Foot In The Gutter”; “Clark Terry With Thelonious Monk” and Jimmy Hamilton’s- “It’s About Time”…

This was Duke Ellington's first film score, undertaken at the urging of Anatomy of a Murder's director, Otto Preminger. The full range of the composer's previous work was brought to bear on this 1959 work. Ellington was a natural choice to convey the rich and varied emotional moods of this drama. Tension and release, danger and safety, movement and stillness, darkness and light; the textural palette that was Ellington's signature was always compellingly cinematic. In these orchestral settings, Duke's soloists (Cat Anderson, Clark Terry, Johnny Hodges, Harry Carney, and others) shine, as their playing reflects true variations on a theme in a classical sense. That's not to say that this set doesn't swing, too – "Happy Anatomy" is a short but fully cranked gallop. This is an album of rich variety and evocative writing.

Much of the music on this CD from Duke Ellington's 1958 Paris concerts is familiar to collectors from its appearance on various European bootleg labels, but Pablo does a better job arranging and annotating this music, which was recorded by Radio France with permission. The program mixes favorites such as "Take the 'A' Train" (featuring trumpeter Ray Nance, who also soloed on its recorded debut), the always exciting medley of "Kinda Dukish" and "Rockin' in Rhythm" (though the first piece is not listed), and the inevitable wailing extended solo by Paul Gonsalves in "Diminuendo and Crescendo in Blue." "Juniflip," a fairly new piece written to feature Clark Terry's matchless flügelhorn, was performed only a handful of times and left the band book with his departure the following year…

Duke Ellington's concert at the 1959 Newport Jazz Festival lacked the excitement and adventure of his appearances in 1956 and 1958. Ellington and his orchestra played their usual program of standards and features with the 14-and-a-half-minute "Idiom '59" being introduced…