The Mosaic Select series continues – having released eight impressive volumes n the calendar year 2003 – this being the last, it's a provocative set in that it compiles five Duke Pearson albums from 1968-1970, all of them centered around his "exotic period: The Phantom, Merry Ole Sole, How Insensitive, It Could Only Happen With You, and I Don't Care Who Knows It. In addition, it places all of those recording sessions in their proper chronological order and includes two completely unreleased tracks.
Duke Pearson had always displayed a flair for arranging, even on small combo albums, so it shouldn't have come as a surprise that he would attempt his own big band record. What is a surprise is how successful Introducing Duke Pearson's Big Band actually is. Pearson leads 13 other musicians through a selection of nine songs, including four originals, two contemporary jazz tunes by Chick Corea and Joe Sample, and three standards. His originals are continually unpredictable and memorable, and his arrangements, especially of the standards, are provocative and intriguing. While it might not appeal to fans of Pearson's wonderful small-group hard bop sessions, it is unquestionably an experiment that works, and one that confirms his remarkable skills and talents.
Duke Pearson had always displayed a flair for arranging, even on small combo albums, so it shouldn't have come as a surprise that he would attempt his own big band record. What is a surprise is how successful Introducing Duke Pearson's Big Band actually is. Pearson leads 13 other musicians through a selection of nine songs, including four originals, two contemporary jazz tunes by Chick Corea and Joe Sample, and three standards. His originals are continually unpredictable and memorable, and his arrangements, especially of the standards, are provocative and intriguing. While it might not appeal to fans of Pearson's wonderful small-group hard bop sessions, it is unquestionably an experiment that works, and one that confirms his remarkable skills and talents.
Pianist Duke Pearson’s too-little-known holiday gem Merry Ole Soul was the sole Christmas album of the classic Blue Note era, and it remains a highly enjoyable treat for jazz fans and Christmas music lovers alike with its first-ever vinyl reissue. Recorded in 1969, the album featured the pianist, producer, and Blue Note stalwart in a trio with Bob Cranshaw on bass and Mickey Roker on drums…
After his big band experiment, Duke Pearson returned to a smaller group setting, but he didn't scale back his ambitions. The Phantom finds Pearson writing an ambitious set of post-bop that expands the boundaries of the music with Latin percussion and complex harmonies derived from the avant-garde…
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Duke Pearson returned to a big band setting for Now Hear This!, once again proving his agility and inventiveness as an arranger and leader. Working with a larger band than before – the total number of musicians weighs in at 17 – Pearson nevertheless keeps things clean and uncluttered. His compositions, as well as the songs he covers, cover a broad range of emotions, styles, and tonal colors, with lush ballads taking the center stage. Even if much of this music is beautiful, Pearson's arrangements take chances and are unconventional, which means it rewards close listening as well.
Features 24 bit digital remastering. Comes with a description. his 1966 date by Duke Pearson with an octet was originally issued by Atlantic. Reissued by Collectables, this is Pearson in full soul-jazz mode, driven deeply by the blues, with an all-star band (not all members play on all tunes): drummer Mickey Roker; Harold Vick on soprano; James Spaulding on flute and alto; bassist Bob Cranshaw; trumpeter Johnny Coles; tenor George Coleman; guitarist Gene Bertoncini; and Pearson on piano and celeste.