Duncan

Some of the most Chicago-sounding bluesmen didn't grow up in the Windy City but rather were people who moved there after growing up in the Deep South. Muddy Waters, Willie Dixon, Bo Diddley, Jimmy Reed, Elmore James, and Howlin' Wolf are perfect examples; all of them were born in Mississippi, but ultimately, Chicago was the place that did the most to shape their musical identity. Despite their Mississippi roots, all of them became closely identified with electric Chicago blues instead of acoustic Mississippi country blues of the Son House/Robert Johnson/Charley Patton variety - and Little Arthur Duncan is another example of a Mississippi native who moved to the Windy City, was greatly influenced by Chess Records, and wholeheartedly embraced the electric blues of his adopted home…

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Chicago blues singer/harpist Little Arthur Duncan was born in Indianola, MS in 1934 and raised on the same Woodburn Plantation as B.B. King. He relocated to the Windy City's West Side during the 1950s, often playing in the company of guitar great Earl Hooker; despite the unique harmonica sound produced by his custom of playing the bass notes on the right, for decades Duncan remained little-known outside of the Chicago scene, primarily appearing at his own Back Scratcher Social Club.