Dusty Spring

The Soldier's Tale is a theatrical work ""to be read, played, and danced"" by three actors (the soldier, the devil, and a narrator) and dancers, accompanied by a septet of instruments. The libretto relates the parable of a soldier who trades his fiddle to the devil in return for unlimited economic gain. The music is scored for a septet of violin, double bass, clarinet, bassoon, cornet or trumpet), trombone, and percussion. The libretto is adapted by Roger Waters from the translation by Michael Flanders and Kitty Black, based on the original text by Charles-Ferdinand Ramus. Roger Waters recorded the album because of a personal background as Mr. Waters father went missing in World War II and his grandfather died in battle in World War I. The loss of his father has been a central theme throughout his live and topic for other releases. Telegraph UK: I think I am still preoccupied by the same things that I was 30 years ago. Losing my father, and that attachment that I have to his humanity, is still central to everything that I do Roger Waters adapted the English translation of Lhistoire du Soldat (original title of the piece) and recorded all 3 characters himself with different accents and speaking voices.

The third HAVASI Symphonic album brings you old favourites in re-imagined versions for the 2014 Arena concert, as well as brand new works. Amongst the novelties are four solo piano etudes which give a sneak preview of the forthcoming HAVASI Etudes album. Also included for the first time, HAVASI playing a work from one of the great classical masters and a bonus track in which HAVASI performs with the Hungarian hard rock band Hooligans.

A virtuoso pianist with rock star-like charisma and an original composer who has forged a unique musical style, blending the depth and discipline of classical tradition with the dazzling diversity of world music.

Scalping The Guru is an archival GBV release envisioned and sequenced by Robert Pollard as a cohesive album, featuring select tracks from four Guided By Voices EPs released in 1993-1994 by Domino, City Slang, Siltbreeze and Engine Records. These hard-to-find records are essential for fans of Vampire On Titus and Bee Thousand, with GBV classics including "My Impression Now", "Matter Eater Lad" and "Big School".

Vanilla Fudge took a more basic stance with Rock 'n' Roll, bringing in Aerosmith's first and the Velvet Underground's last producer, Adrian Barber, to replace Shadow Morton. Guitarist Vinnie Martell sings lead on "Need Love," and it is a quagmire of rock sounds, offset by Mark Stein's "Lord in the Country." The band then goes after a good but non-hit Carole King/Gerry Goffin number, "I Can't Make It Alone." It has that vibe that made "Take Me for a Little While" so important and so timeless, but there's just something missing. This is Vanilla Fudge's trademark sound looking for a new personality. The band started in 1967 by releasing an album of seven cover tunes done Vanilla Fudge-style. Along with Cream, Jimi Hendrix, and a handful of other bands, their sound helped shape Top 40 radio in the '60s while heavily influencing Deep Purple and what that group would do for the '70s.