East OF West 40

The most unusual war of the 20th century took place in 1969. El Salvador and Honduras faced one another in a qualifying set for the 1970 World Cup. Tensions were already boiling over in the two countries over the issue of Salvadoran workers in Honduras. But soccer sometimes brings out the worst in people, and the games turned from friendly competition into a full-scale military invasion by El Salvador on its neighbor. Although the fighting lasted only four days, the combat damaged two nations already teetering on the brink of economic collapse. And it all started over a soccer game.

And you will find few war stories this potentially interesting in The Century of Warfare, an interminable series from the History Channel. A low-budget 1993 British production that relies on public domain footage, library music, and a monotonous British narrator with a soporific voice, this 26-episode series somehow manages to make one of the most inherently interesting subjects stunningly pedestrian and dull.

Various Artists - From Middle Jazz To Be-Bop (1952-1955) - La Grande Histoire Du Jazz Vol. 2 (2010) {Box 25CD - 50 of 100}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 10.8 Gb | MP3 @320 -> 5.07 Gb
Full Artwork @ 300 dpi (png) -> 783 Mb | 5% repair rar
© 1952-55, 2010 Le Chant du Monde | 574 1925.49
Jazz / Classic Jazz / Middle Jazz / Be-Bop

An epic 100 CD chronological documentation of the history of jazz music from 1898 to 1959, housed in four boxed sets. Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources.

Blossoming at the nexus of tradition and innovation, where soul and technique feed into one another in pursuit of an ecstatic oneness, the music of Debashish Bhattacharya has astonished and moved listeners since he first unveiled his unprecedented concept of Hindustani slide guitar in the late 1970s. As a young man, Bhattacharya fused his love of Hawaiian steel guitar with his family’s deep roots in traditional Indian music, discovering that slide guitar techniques are ideally suited to the microtonal inflections and disarmingly vocal-like melodic cadences of Hindustani forms. In the process, he created an entirely new instrumental tradition – leading the way with such virtuosity, sensitivity, and imagination that global music pioneer John McLaughlin proclaimed that “Debashish is the master of the slide guitar. He has no equal.”