The debut album by The Misers 'Amplified Life Stories' from 2009 on Sonny Jim Records. While this group was well known in the UK, it seems that they never have gotten much airplay or exposure in the States or, for that matter, anywhere else in the world.
Confessions of the Mind is the 1970 released album by The Hollies. It was released in the United States as Moving Finger, with a different track sequence, the tracks "Separated" and "I Wanna Shout" omitted and replaced with the Clarke/Sylvester penned "Marigold: Gloria Swansong" saved from the previous album (Hollies Sing Hollies aka He Ain't Heavy, He's My Brother - U.S.) and "Gasoline Alley Bred". In Germany, it was released as The Hollies Move On. The UK version peaked at UK #30. The US version peaked at US #183.
David Coverdale is back with a brand new Whitesnake on Live…In the Shadow of the Blues. Recorded between 2005 and 2006, this double disc documents a new band – with veteran monster drummer Tommy Aldridge (Black Oak Arkansas, Pat Travers, Randy Rhoads-era Ozzy Osbourne), guitar wizards Doug Aldrich (Dio, Carmine Appice, Bad Moon Rising) and Reb Beach (Winger, Eric Clapton), bassist Uriah Duffy (Carmine Appice, Pat Travers Band, Christina Aguilera), and keyboard boss Timothy Drury (Eagles) – and runs not only through the hits in an inspired and dirty-ass fashion, but comes up with four new cuts as well, recorded in the studio and tacked on at the end of disc two…
The Hollies' first album of original material following Graham Nash's departure was an attempt to regain the edge they'd had on Butterfly and Evolution albums, after the digression of the album of Dylan songs, the regrouping with Terry Sylvester in the lineup, and the unexpected hit achieved with "He Ain't Heavy, He's My Brother." It's a surprisingly strong album, not only in the songwriting (which includes the last Clark/Hicks/Nash song ever recorded, "Survival of the Fittest"), but also in the production, which isn't too far removed from what was heard on Butterfly and Evolution. There's no sitar here, but Tony Hicks – who is the real star of the group on this album – employs at least a half-dozen different guitars in uniquely fine voicings, and there is also some very striking use of orchestra, producer John Burgess making particularly fine employment of a string section as a lead instrument on the Allan Clarke/Terry Sylvester-authored "Man Without a Heart."