Earl Hines One For My Baby

Avid Jazz presents four classic Earl “Fatha” Hines albums plus, including original liner notes on a finely re-mastered and low priced double CD. “A Monday Date”; “Paris One Night Stand” “Earl’s Pearls” and “The Incomparable Earl “Fatha” Hines”.
One of the truly great elder statesmen of jazz, Earl “Fatha” Hines was born in 1905 in Duquesne, Pa and inherited a love of music from his father who was a member of the famous Eureka brass band of New Orleans and his mother who was a fine organist. Moving to Chicago in 1922 he soon fell in with another jazz legend Louis Armstrong, with whom he had a long musical and personal relationship…

In 1975, when Bluebird brought out a double-LP reissue of vintage Earl Hines big-band recordings, the producers included a chain of beefy instrumentals from 1941. The Classics Chronological series zeroed in and fleshed out an important part of the picture by compiling all of Hines' 1941 material onto one CD 16 years later. What you get are eight terrific instrumentals interspersed with ten vocal tracks and a pair of fine piano solos. Since the vocal performances were aimed at the general record-buying public, they deviate noticeably from the powerhouse home base of big-band swing infused with intimations of the approaching bebop revolution. Eight instrumentals, then, form the backbone of this volume in the complete recordings of Earl Hines…

The two 1957 sessions that make up this CD featuring Earl Hines with a pickup rhythm section in Paris were recorded originally for Phillips, with bassist Guy Pedersen and drummer Gus Wallez. The pianist is in top form, including just a little of the Dixieland repertoire ("Royal Garden Blues" and "Muskrat Ramble") that typically dominated most of his recordings made in the U.S. during this period, and spending more time exploring favorite warhorses like "Hallelujah" and "Makin' Whoopee," as well as already classic jazz compositions such as "If I Could Be With You One Hour Tonight" and "I Got It Bad (And That Ain't Good)." While the tracks are generally brief, the music is consistently swinging at a high level and four bonus tracks have been added to the CD reissue, so it should be considered an essential purchase for fans of Earl "Fatha" Hines.

The two 1957 sessions that make up this CD featuring Earl Hines with a pickup rhythm section in Paris were recorded originally for Phillips, with bassist Guy Pedersen and drummer Gus Wallez. The pianist is in top form, including just a little of the Dixieland repertoire ("Royal Garden Blues" and "Muskrat Ramble") that typically dominated most of his recordings made in the U.S. during this period, and spending more time exploring favorite warhorses like "Hallelujah" and "Makin' Whoopee," as well as already classic jazz compositions such as "If I Could Be With You One Hour Tonight" and "I Got It Bad (And That Ain't Good)." While the tracks are generally brief, the music is consistently swinging at a high level and four bonus tracks have been added to the CD reissue, so it should be considered an essential purchase for fans of Earl "Fatha" Hines.

A chronological history of jazz vocal presented by André Francis and Jean Schwarz. 10 CDs with more than 12 hours of music.
The resulting 2 boxed sets of 10 CDs in each, unlike any other available today, groups together the main vocalists in the story of jazz from the first half of the 20th century. Each of these 20 CDs offers in more or less the same proportion, the purest of African-American song with gospel and blues singers, from truculent Ma Rainey to majestic Bessie Smith, sophisticated Sarah Vaughan to popular Louis Prima, the folk-related tones of Charlie Patton to the honeyed voice of Frank Sinatra.

The resulting 2 box set, unlike any other available today, groups together the main vocalists in the story of jazz from the first half of the 20th century. Each of these 20 CDs offers in more or less the same proportion, the purest of African-American song with gospel and blues singers, from truculent Ma Rainey to majestic Bessie Smith, sophisticated Sarah Vaughan to popular Louis Prima, the folk-related tones of Charlie Patton to the honeyed voice of Frank Sinatra.