Earl Klugh Kiri

Lush Life is an album credited to jazz musician John Coltrane, released in 1961 on Prestige Records. It is assembled from unissued results of three separate recording sessions at Van Gelder Studio in Hackensack, New Jersey in 1957 and 1958. As Coltrane's fame grew during the 1960s long after he had stopped recording for the label, Prestige used unissued recordings to create new marketable albums without Coltrane's input or approval.

"Kiln House" is the fourth studio album by British blues rock band Fleetwood Mac, originally released on September 18, 1970. This is the first of the post-Peter Green Fleetwood Mac albums, and their last album to feature Jeremy Spencer. Christine McVie was present at the recording sessions and contributed backing vocals, keyboards and cover art, although she was not a full member of the band until shortly after the album's completion. The album title is taken from the name of a converted Oast house in Truncheaunts Lane, near Alton in Hampshire (UK).

8 discs Deluxe Edition Box Set - the next installment in the award-winning Bootleg Series. "Trouble No More - The Bootleg Series Vol. 13 / 1979-1981", focuses on the albums 'Slow Train Coming' (1979), 'Saved' (1980) and 'Shot of Love' (1981) and the legendary live shows from that period.

Lush Life is an album credited to jazz musician John Coltrane, released in 1961 on Prestige Records, catalogue 7188. It is assembled from unissued results of three separate recording sessions at Van Gelder Studio in Hackensack, New Jersey in 1957 and 1958. As Coltrane's fame grew during the 1960s long after he had stopped recording for the label, Prestige used unissued recordings to create new marketable albums without Coltrane's input or approval.

Violinist Rachel Barton Pine’s 24th recording for Cedille Records, Dependent Arising, reveals surprising confluences between classical and heavy metal music by pairing Shostakovich’s Violin Concerto No. 1 in A minor, Op. 77 with Earl Maneein’s “Dependent Arising” — Concerto for Violin and Orchestra, performed with the Royal Scottish National Orchestra under the baton of Tito Muñoz.

This album brings together two great American jazz pianists, Dave McKenna and Hall Overton, for a one-off session of piano jazz, released in 1960.

Bingo! is the Steve Miller Band's first studio record in 17 years. Thematically, it's a look back at the the electric blues and R&B that influenced him as a young man. Issued on his own Space Cowboy imprint, is also the final recorded appearance of blues harmonica great Norton Buffalo who passed away in 2009. Blues classics by B.B. King, Lowell Fulsom, Otis Rush, Howlin' Wolf, Earl King, Jimmy Reed, and Jessie Hill are here, along with three selections by contemporary bluesman Jimmie Vaughan. What all of these tracks all have in common is Miller's signature approach: he is a stellar guitarist who has no need to show off, a tight arranger, and an intuitive modern producer (with help from Andy Johns).

Name a canonical jazz artist, and chances are Jimmy Cobb has shared a stage or recording studio with them. Starting with his first recordings with Earl Bostic at the tender age of 21 all the way up to his new album This I Dig of You, due out August 16 via Smoke Sessions Records, Cobb has been not just a jazz drummer but the jazz drummer — a musician unmatched in technique and experience.

Soul Jazz Records are issuing this album as a one-off pressing special coloured vinyl edition, fully remastered and with exact reproduction artwork especially for Black Friday 2024.

Early-music string specialist PK Farstad presents a programme of Lute Works from the great John Dowland!