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From the symphony to the song would seem to be an enormous step: from the largest form for the largest orchestra to the smallest form for the smallest ensemble. Gustav Mahler nonetheless brought them together and interwove them in previous symphonies as well as in ‘Das Lied von der Erde’. "The long, endlessly stretched crescendo on the single note "e" (filled with so much desire) leads to the final part of Abschied, which I can only describe with the word ‘cosmic’. The voice is surrounded by floating meteors, objects, particles or stars, which move in various directions and speeds. We have left the atmosphere and look back on the beautiful green and blue planet." - Iván Fischer, conductor

The year was 1947: World War II was over and there was music in the air, with Frank Sinatra making teenagers swoon. On other airways, primarily black radio stations, another, earthier music was being played which would become the foundation for what is now called rock & roll. Back then it was called the blues and rhythm & blues, and its voices had names like Wynonie Harris, Willie Dixon, and Sister Rosetta Tharpe. Among its musicians were Big Bill Broonzy, Hosea Sapp, and Thunder Smith. This CD is part of a series that chronicles the history of this music that was to have such an impact on rock & roll. This volume collects some of the great hits of 1947, when many baby boomers were born, who would go on to become the major supporters of the idiom…

This CD is part of a comprehensive study of the early influences of rock & roll. The blues and rhythm & blues sound created by African American artists, as well as a few crossover Anglo musicians, in the late '30s, '40s, and the '50s, laid the foundation for what was to become rock & roll. It was a sound characterized by a throbbing drumbeat and sensual notes on piano and horns, often with lyrics to match its earthy quality. Volume six collects some notable recordings of the year 1950, just before the big rock & roll explosion caused by artists such as Bill Haley & His Comets and Elvis Presley. The compilation makes clear the great musical debt these artists, who became rich and famous, owed to earlier artists, many of whom remained poor and obscure…

G.E.N.E. (Grooving Electronic Natural Environments) is a Canadian New Age instrumental band. The idea of this world-famous project was born in June 1987, during a conversation under the stars around a campfire and tents on the shore of the lake in the Canadian woods. That night, Cleo de Mallio took the first steps in a musical odyssey that is still not completed. The conversation was carried on the nature and technology, the world and machines, the new digital sound and lofty emotions. Father of the project and the producer is Michael Weisser - founding member of the German band Software, one of the disciples of the legendary Klaus Schulze, the founder of the company's IC/Digit music, on which he produced G.E.N.E. and Software. Michelle Weisser - it is not trivial producer who invested and believed in the idea…

This is an attractive eight-CD set (+ Bonus CD), whose discs are also available as eight separate releases, that could have been a great reissue but settled for being merely quite good. To celebrate the 80th anniversary of the first jazz recording, RCA released a disc apiece covering each of the past eight decades. In listening to the music straight through, one becomes aware of RCA's strengths and weaknesses as a jazz label. Victor was one of the most important jazz labels during the 1920s, '30s and '40s, catching on to bebop a little late (1946) but still documenting many classic recordings. By the 1950s, the label's attention was wandering elsewhere; it missed free jazz almost completely in the '60s, and in the last three decades has only had a few significant artists, mostly Young Lions whose output sounds conservative compared to the earlier masters…

Berlin Philharmonic member Joaquín Riquelme and pianist Enrique Bagaría explore a century of viola and piano masterpieces, including spellbinding performances of Brahms’ Sonata op. 120/1 and Hindemith’s Sonata op. 11/4. Schumann’s lyrical and brilliant Adagio and Allegro op. 70 and Enescu’s virtuoso Concert piece complete this masterly performed recording.

Modern Jazz Quartet - Together Again: Live At The Montreux Jazz Festival '82 (1985) {Pablo Japan, J33J 20005, Early Press)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 331 Mb | MP3 @320 -> 146 Mb
Full Artwork @ 300 dpi (jpg) -> 20 Mb | 5% repair rar
© 1982, 1985 Pablo Live / Polydor Japan | J33J 20005
Jazz / Third Stream / Cool / Bop

Japanese edition with 1 more track (Traveling), different running order and track durations. This CD features the revived Modern Jazz Quartet during their 30th year (counting a seven-year "vacation"), playing some of their usual repertoire – such as "Django," "The Cylinder," and "Bags' Groove," which for some reason was renamed "Bags' New Groove" – before an appreciative audience at the 1982 Montreux Jazz Festival. In reality, this release adds little to the MJQ's legacy, since all of the songs but vibraphonist Milt Jackson's "Monterey Mist" had been recorded before (some of them many times), but it does show that the band still had its enthusiasm and the ability to make the veteran material sound fresh and swinging.

For years, Roy Wood's post-Move/ELO catalog has been cluttered with budget-line compilations. The same tracks have been recycled over countless discs, usually distinguished by terrible fidelity and haphazard sequencing. Repertoire remedied the situation in 1999 by releasing two comprehensive compilations - one focusing on Wood's solo recordings (Exotic Mixture: Best of Singles A's & B's), the other on Wizzard's singles (Singles A's & B's). This was a welcome development, since both were good-sounding, intelligently assembled compilations, yet it wasn't an entirely ideal situation, as most fans - whether they're fanatics or curious listeners - would like to have one, tight collection of highlights from Wood's and Wizzard's singles and early-'70s albums…

24 Tracks - First time on CD! The first two volumes in Stag-O-Lee's Exotic Blues & Rhythm series were released on limited edition 10 inch vinyl (500 copies per volume) and sold out in next to no time! Enjoy amazing and danceable tunes from the late 50s and early 60s - a handful of Popcorn dancefloor smashes, a few grinding Tittyshakers, awesome Rhythm & Blues - most of them with an exotic twist!!