Edge October 2022
New Scientist Australian Edition – 08 October 2022 Magazines
Posted by Shor at Oct. 10, 2022
PC Gamer USA - October 2022 Magazines
Posted by Shor at Aug. 9, 2022
New Scientist Australian Edition – 22 October 2022 Magazines
Posted by Shor at Oct. 21, 2022
Prog - October 2022 Magazines
Posted by Shor at Oct. 21, 2022
New Scientist Australian Edition – 29 October 2022 Magazines
Posted by Shor at Oct. 28, 2022
Trains - October 2022 Magazines
Posted by Shor at Aug. 26, 2022
New Scientist Australian Edition – 15 October 2022 Magazines
Posted by Shor at Oct. 14, 2022
Windows 11 22H2 v22621.2428 Consumer/Business Edition October 2022 MSDN Software
Posted by magazlover at Oct. 20, 2023
Windows 11 22H2 v22621.2428 Consumer/Business Edition October 2022 MSDN | 6.24/6.12 GB
At a time when the PC is playing a more central role in our lives, Windows 11 is designed to bring you closer to what you love. This is the latest version of Windows OS releases, with new interface and other new features like new Microsoft Store, a new personalized feed powered by AI and best-in-class browser performance from Microsoft Edge, Chat from Microsoft Teams integrated in the taskbar and many more!. Unlocked means you can install Windows 11 on PC without Secure Boot and TPM.
Model Engineer – 21 October 2022 Magazines
Posted by Shor at Oct. 18, 2022
John Storgårds, Lapland Chamber Orchestra - Hans Abrahamsen: Schnee, 10 Canons for 9 Instruments (2022) Music
Posted by ArlegZ at Nov. 7, 2022
John Storgårds, Lapland Chamber Orchestra - Hans Abrahamsen: Schnee, 10 Canons for 9 Instruments (2022)
EAC | FLAC | Image (Cue & Log) ~ 201 Mb | Total time: 53:02 | Scans included
Classical | Label: Dacapo Records | # 6.220585 | Recorded: 2020
EAC | FLAC | Image (Cue & Log) ~ 201 Mb | Total time: 53:02 | Scans included
Classical | Label: Dacapo Records | # 6.220585 | Recorded: 2020
The Dacapo label enters the graphic territory of its rival ECM here, with clean black-and-white graphics and sans serif fonts and equally crisp contemporary music that makes no concessions to popular taste but nevertheless offers a kind of accessibility. It is easy enough to imagine Schnee (snow in German – not Danish, interestingly) in composer Hans Abrahamsen's work, which fills the entire album. The music begins with an almost imperceptible high violin note as if to suggest sub-sensory beginnings of a period of snow. Abrahamsen has evinced a fascination with snow in other works, but it is perhaps reduced to its essence here.