Editready 24 1 Macos
EditReady 24.1 Software
Posted by tnt-reloaded at March 12, 2024
EditReady 24.1 | macOS | 79 mb
EditReady provides easy, powerful, and fast transcoding for video professionals. Modern production pipelines often involve generating a wide mix of QuickTime, MXF, AVCHD, and HDV files. A single production may use a mix of "A-Camera" files in ProRes422, "B-Camera" footage in H.264, as well as archive footage in formats like Apple Intermediate Codec.
EditReady 24.2 Software
Posted by tnt-reloaded at May 7, 2024
EditReady 24.2 | macOS | 148 mb
EditReady provides easy, powerful, and fast transcoding for video professionals. Modern production pipelines often involve generating a wide mix of QuickTime, MXF, AVCHD, and HDV files. A single production may use a mix of "A-Camera" files in ProRes422, "B-Camera" footage in H.264, as well as archive footage in formats like Apple Intermediate Codec.
EditReady 24.3 Software
Posted by tnt-reloaded at July 2, 2024
EditReady 24.3 | macOS | 150 mb
EditReady provides easy, powerful, and fast transcoding for video professionals. Modern production pipelines often involve generating a wide mix of QuickTime, MXF, AVCHD, and HDV files. A single production may use a mix of "A-Camera" files in ProRes422, "B-Camera" footage in H.264, as well as archive footage in formats like Apple Intermediate Codec.
EditReady 24.4 Software
Posted by tnt-reloaded at Sept. 4, 2024
EditReady 24.4 | macOS | 150 mb
EditReady provides easy, powerful, and fast transcoding for video professionals. Modern production pipelines often involve generating a wide mix of QuickTime, MXF, AVCHD, and HDV files. A single production may use a mix of "A-Camera" files in ProRes422, "B-Camera" footage in H.264, as well as archive footage in formats like Apple Intermediate Codec.
EditReady 24.3.1 Software
Posted by tnt-reloaded at July 15, 2024
EditReady 24.3.1 | macOS | 150 mb
EditReady provides easy, powerful, and fast transcoding for video professionals. Modern production pipelines often involve generating a wide mix of QuickTime, MXF, AVCHD, and HDV files. A single production may use a mix of "A-Camera" files in ProRes422, "B-Camera" footage in H.264, as well as archive footage in formats like Apple Intermediate Codec.