Eduardo

Eduardo Paniagua is among the more interesting musicians to have led dual careers: as a conductor, wind player, and percussionist he has received enthusiastic praise for his concerts and numerous recordings of music of Medieval Spain, but he is also quite an accomplished architect. One might further add businessman to his résumé, since he is the founder of the Spanish record label Pneuma. Paniagua was born in Madrid, Spain, in 1952. He came from a musical family and as a child displayed unusual musical talent.

Rossini’s Eduardo e Cristina was a huge success in its day, but as perhaps the last ‘centone’ opera by a major composer, it became forgotten under the subsequent tide of Romantic idealism. Today we can put these prejudices aside and enjoy this masterful creation for what it is: a hugely entertaining parade of beautiful and spectacular musical ‘hits’ set to a familiar story of secret love, dramatic crisis and triumphant resolution. This 2017 Bad Wildbad revival was summed up as ‘an evening of pure bel canto pleasure!’ by Operagazet.

Rossini’s Eduardo e Cristina was a huge success in its day, but as perhaps the last ‘centone’ opera by a major composer, it became forgotten under the subsequent tide of Romantic idealism. Today we can put these prejudices aside and enjoy this masterful creation for what it is: a hugely entertaining parade of beautiful and spectacular musical ‘hits’ set to a familiar story of secret love, dramatic crisis and triumphant resolution. This 2017 Bad Wildbad revival was summed up as ‘an evening of pure bel canto pleasure!’ by Operagazet.

Eduardo Paniagua (born 1952 in Madrid, Spain) is a Spanish architect and musician, specializing in medieval Spanish music.
Between 1966 and 1983, he was a member of the group Atrium Musicae de Madrid, led by his older brother Gregorio, playing wind instruments and percussion. More recently he has been a founding member of the groups Cálamus and Hoquetus which specialize in the music of Arabic Andalusia. In 1994, he created the group Música Antigua to perform and record the Cantigas de Santa Maria. In the same year he also founded the group Ibn Báya Ensemble together with the oud player Omar Metioui, for the performance and recording of Andalusian music. Other regular collaborators include Moroccan singers Said Belcadi, Mohammed El-Arabi Serghini, and the Algerian oud player Salim Fergani.

Eduardo Paniagua (born 1952 in Madrid, Spain) is a Spanish architect and musician, specializing in medieval Spanish music.
Between 1966 and 1983, he was a member of the group Atrium Musicae de Madrid, led by his older brother Gregorio, playing wind instruments and percussion. More recently he has been a founding member of the groups Cálamus and Hoquetus which specialize in the music of Arabic Andalusia.
In 1994, he created the group Música Antigua to perform and record the Cantigas de Santa Maria. In the same year he also founded the group Ibn Báya Ensemble together with the oud player Omar Metioui, for the performance and recording of Andalusian music. Other regular collaborators include Moroccan singers Said Belcadi, Mohammed El-Arabi Serghini, and the Algerian oud player Salim Fergani.

Eduardo Paniagua (born 1952 in Madrid, Spain) is a Spanish architect and musician, specializing in medieval Spanish music.
Between 1966 and 1983, he was a member of the group Atrium Musicae de Madrid, led by his older brother Gregorio, playing wind instruments and percussion. More recently he has been a founding member of the groups Cálamus and Hoquetus which specialize in the music of Arabic Andalusia.
In 1994, he created the group Música Antigua to perform and record the Cantigas de Santa Maria. In the same year he also founded the group Ibn Báya Ensemble together with the oud player Omar Metioui, for the performance and recording of Andalusian music. Other regular collaborators include Moroccan singers Said Belcadi, Mohammed El-Arabi Serghini, and the Algerian oud player Salim Fergani.

La présence espagnole en Amérique du Sud ne tarda guère à susciter un syncrétisme musical absolument fascinant, notamment à l'époque baroque, dont on a récemment redécouvert les prodigieuses richesses et qui influe directement sur les pratiques musicales actuelles.

Entre o final dos anos 1960 e início dos anos 1970, o mundo do violão foi tomado por um furacão que respondia pelo nome de Duo Abreu. Formado pelos violonistas brasileiros Sergio e Eduardo, o duo estabeleceu novos paradigmas de interpretação de antigos e novos repertórios, tornando-se, apesar do pouco tempo de atividade, referência até os dias de hoje. Isso por meio de suas gravações.