Ein Heldenleben

Classical Moods is a four-disc collection of short pieces of classical music put together with the thought of soothing listeners with nice melodies. The collection has all the big names, like Mozart, Debussy, Bach, Gershwin, and Rachmaninov, and their big hits, like "Swan Lake," "Clair de Lune," "The William Tell Overture," "Sabre Dance," and "Rhapsody in Blue." Each disc contains a great deal of music, as many of the pieces are excerpts and movements taken from larger works. The set may be a nice starting point for a new fan of classical, as all the great melodies are here and presented on a platter for easy consumption. More sophisticated fans of the music won't have much use for it.

Fritz Reiner was one of the foremost conductors of his time. Crowning his long career in Europe and America was the decade from 1954 to 1963 as music director of the Chicago Symphony Orchestra an illustrious partnership that ranks along such other historical tenures as Karajan's in Berlin, Szell's in Cleveland and Bernstein's in New York.
Luckily for posterity, Reiner's legendary interpretations at the helm of the Chicago Symphony which no less than Igor Stravinsky called "the most precise and flexible orchestra in the world" were captured on record by RCA Victor. Now for the first time ever, they are being issued together in a single Sony Classical box set of 63 re-mastered CDs.

Franklin Mint's "100 Greatest Recordings Of All Time" is a unique collection of the greatest performances ever recorded and has been awarded by respected members of an international music jury. The collection contains 100 records of excellent quality. Franklin Mint's "100 Greatest Recordings Of All Time" was named Best Personal Library of Recorded Music. Each recording has been selected by renowned music critics (Martin Bookspan, Schuyler G. Chapin, Franco Ferrara, Irving Kolodin, William Mann, R. Gallois Montbrun, Marcel Prawy, Andre Previn, William Schuman and H. H. Stuckenschmidt).

On October 6, 1953, RCA held experimental stereophonic sessions in New York's Manhattan Center with Leopold Stokowski conducting a group of New York musicians in performances of Enesco's Roumanian Rhapsody No. 1 and the waltz from Tchaikovsky's opera Eugene Onegin. There were additional stereo tests in December, again in the Manhattan Center, this time with Pierre Monteux conducting members of the Boston Symphony Orchestra. In February 1954, RCA made its first commercial stereophonic recordings, taping the Boston Symphony Orchestra, conducted by Charles Münch, in a performance of The Damnation of Faust by Hector Berlioz.

The compact disc, as a sound carrier, was still on the horizon when Herbert von Karajan urged his record company to utilize the new digital technology in his recordings. Consequently Karajan's Magic Flute, recorded in 1980, became the first release of a Deutsche Grammophon digital production and was first released on LP. By the time the maestro died in 1989, the CD had finally replaced the LP as the primary sound carrier, yet he was realistic enough to know that the pioneering early stages of the digital era would be followed by further technical development. This is reflected in Karajan Gold.

2018 Year 12 month 6 to celebrate the 120th anniversary "German gramophone".Since its founding in 1898 as a classical music label, it has produced recordings of many great classical artists, including fultwengler, Karajan and Bernstein. This album is selected by Mr. Ryuichi Sakamoto who has been in contact with classical music through the recording of German gramophone from an early age."Best of German gramophone・selected by Ryuichi Sakamoto" is released. From the 1950s monophonic recordings to the new post-classical composer Johann Johannsson's work, all 18 tracks were recorded on a 2-Disc disc.