Eleanor Mcevoy

V.A. - Time Life: Grooves [Vol.01-Vol.14 + Bonus CD Year In Review] (1994-1996)

V.A. - Time Life: Grooves [Vol.01-Vol.14 + Bonus CD Year In Review] (1994-1996)
MP3 CBR 320 kbps | Run Time: 17:24:37 | 2,37 Gb
Genre: Alternative Rock, Folk Rock, Indie Rock, Blues Rock, Soft Rock | Label: Time Life Music

During the years 1994-1996 Time-Life produced a CD & Magazine called "Grooves". Veteran New York City DJ Vin Scelsa was given full control of the project, and a total of 14 wonderful issues were produced. They each highlighted Vin's selections of the best tracks from the best new albums/artists of the time. In addition, the last track on every CD was a bonus acoustic track by one of the featured artists recorded in the studio just for "Grooves". It was the next best thing to listening to Vin's radio show, "Idiot's Delight".

VA - Pure... Celtic (2010)  Music

Posted by Rtax at June 1, 2024
VA - Pure... Celtic (2010)

VA - Pure… Celtic (2010)
EAC Rip | FLAC (tracks, cue, log, scans) - 1.8 GB | MP3 CBR 320 kbps - 596 MB
4:07:21 | Folk, Celtic | Label: Sony Music

Immerse yourself in the timeless beauty and rich cultural heritage of Celtic music with the "Pure… Celtic" album. This captivating collection brings together some of the most beloved and iconic tracks from the world of Celtic music, offering listeners a truly enchanting experience.
VA - Come Join My Orchestra The British Baroque Pop Sound 1967-73 (2018)

VA - Come Join My Orchestra The British Baroque Pop Sound 1967-73 (2018)
EAC Rip | FLAC (Tracks) +cue, log, artworks - 1.14 GB | MP3 CBR 320 kbps - 554 MB | 03:56:39
Pop Rock, Psychedelic Rock, Prog Rock | Label: Grapefruit Records

When Paul McCartney - who arguably kick-started the whole baroque pop genre when he recorded the likes of 'Yesterday' and 'Eleanor Rigby' with pivotal strings arrangements - made his oft-quoted remark that pop was the classical music of the 20th Century, perhaps he meant it in a more literal sense than anyone realised at the time. In the immediate wake of ground-breaking albums like Rubber Soul, Revolver and Pet Sounds, the British and American music scenes became increasingly ambitious and cerebral. As the major recording studios becoming ever more sophisticated, a new generation of musicians and producers sought to emulate the backroom auteur status of Brian Wilson or the symbiotic relationship between George Martin and The Beatles.