Electric Guitar Gear

Hip Young Guitar Slinger and "His Heavy Friends" focuses on Jimmy Page's work as a session guitarist for the Immediate and Pye labels in the '60s. The first disc includes the poppier end of his work behind Gregory Phillips, the Kinks and Nico, while the second disc finds him in more familiar territory backing English blues masters like Eric Clapton, John Mayall and Jeff Beck…

Sonny Rollins - Reel Life (1982) {Milestone OJC-31335 rel 2009}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 248 Mb | MP3 @320 -> 84 Mb
Full Artwork @ 300 dpi (jpg) -> 8 Mb | 5% repair rar | 24bit remastering
© 1982, 2009 Milestone / Concord / Original Jazz Classics | OJC-31335
Jazz / Bop / Hard Bop / Post Bop / Jazz Funk / Saxophone

The cover art of Reel Life, with a tiny image of Sonny Rollins sitting on top of a giant tape reel, is a telling factor in this 1982 studio session. Rollins was one of the first beboppers, and one of the last remaining to record with magnetic audio tape in an analog format. This sterling band with Rollins featured two electric and distinctly different guitarists in Bobby Broom and Yoshiaki Masuo, longtime electric bass guitarist Bob Cranshaw, and the keen and vibrant drummer Jack DeJohnette. As the career of Rollins moved into fourth gear, his love for hard bop, Caribbean music, and funkier styles continued to appeal to die-hard fans and the urban crowd.

Gravedigger by Janus finds the band playing in a psyche-tinged style of early progressive rock still entangled in the genre's roots in the 1960s underground - and emerged just as that style of prog was going out of fashion, to the band's misfortune…

After Tinsley Ellis released the fine Ice Cream in Hell in 2020, he hit the road for a 60-date tour. Six weeks in, the global COVID-19 pandemic made him cancel. He drove the 2,400 miles from Reno, Nevada to Atlanta, Georgia. At home he entered his basement studio and pulled out loads of gear – including every guitar he owned. He also set up a turntable and began dragging vinyl off the shelves. He explored studio and obscure live recordings from some of his musical heroes, including the Allman Brothers, Freddie and B.B. King, Michael Bloomfield, and many more. He was captivated and began writing with a white-hot intensity, determined to grow as a songwriter. By April he was posting tracks to his website. In 18 months he composed 200 new songs. He contacted longtime friend, keyboardist and producer Kevin McKendree and booked time at his Franklin, Tennessee studio, then culled his massive song list down to ten tunes. On Devil May Care, Ellis is joined by McKendree on piano and organ, bassist Steve Mackey, and drummer Lynn Williams.