Reissue with the latest 2014 DSD remastering. Comes with new liner notes. Well, it's not the Plugged Nickel or electric Japan in the 70s – but this is a surprisingly great 2LP set of live work by Miles from the early 80s – recorded in New York and Boston, with a lively full-on concert sort of feel! The group features Marcus Miller on bass, Bill Evans on soprano sax, Al Foster on drums, Mike Stern on guitar, and Mino Cinelu on percussion – and the tracks are long tunes, done with a bit of electricity, and sort of a joyous approach overall. Titles include "Kix", "My Man's Gone Now", "Jean Pierre", "Fast Track", and "Back Seat Betty".
The usual perception of early Deep Purple is that it was a band with a lot of potential in search of a direction. And that might be true of their debut LP, put together in three days of sessions in May of 1968, but it's still a hell of an album. From the opening bars of "And the Address," it's clear that they'd gotten down the fundamentals of heavy metal from day one, and at various points the electricity and the beat just surge forth in ways that were startlingly new in the summer of 1968…
It may be a PR cliché, but the phrase ‘hotly anticipated album’ was never more apt than when applied to Laurence Jones’s ‘Temptation’. Having made a big splash on the UK blues-rock circuit, he’s taken an impressive new batch of songs and his fiery guitar playing down to Lafayette,Louisiana. He’s teamed up with producer Mike Zito and the Royal Southern Brotherhood rhythm section of drummer Yonrico Scott and bassist Charlie Wooton. The result is one of the best blues-rock albums of the year so far. ‘Temptation’ is that rare thing, a meeting of musical minds with results that surpass expectations. In the words of Mike Zito: ‘Its raw, its real and it happened in one week’. And it is that ‘in the moment’ feel that permeates an album full of drive, passion, crackling electricity and style.
Reissue with latest remastering. Comes with liner notes. A really landmark album in European jazz – one of those records that always tops the lists of collectors, and for good reason too! The sextet of trumpeter Oscar Valdambrini and tenorist Gianni Basso was easily one of the greatest things going in jazz on that side of the Atlantic in the early 60s – a fresh, modern group who could still play with plenty of soul – avoiding some of the cool jazz traps of other European combos, and really hitting hard with solo work that matched the best American work of the time.