Electrified 2024

For those watching meters, there’s always a dip in voltage around 6 o’clock. When workaday folks get home and start turning on their televisions and firing up their microwaves, the hum of electricity goes crackling down the power lines, lighting up the windows of house after house, street after street, mile after mile. But when the moon has been high for hours and, slowly but surely, the nearby world starts to fall asleep — that’s when workanight folks, like Tyler Bryant & The Shakedown, come alive. As the voltage begins to spike, current flows like a high tide flooding through the transformers and wires that stack well into the thousands at TBSD’s musical headquarters, “The Lily Pad” in Nashville, Tennessee. In a fast-moving, increasingly digital world, vintage tube gear is considered obsolete by the majority, but for those still living on the fringes of time, there’s a quality of magic when pieces of gear from a different age power up — the dim glow of vacuum tubes purposefully burning and generating heat in the close quarters of a control room.

For those watching meters, there’s always a dip in voltage around 6 o’clock. When workaday folks get home and start turning on their televisions and firing up their microwaves, the hum of electricity goes crackling down the power lines, lighting up the windows of house after house, street after street, mile after mile. But when the moon has been high for hours and, slowly but surely, the nearby world starts to fall asleep — that’s when workanight folks, like Tyler Bryant & The Shakedown, come alive. As the voltage begins to spike, current flows like a high tide flooding through the transformers and wires that stack well into the thousands at TBSD’s musical headquarters, “The Lily Pad” in Nashville, Tennessee. In a fast-moving, increasingly digital world, vintage tube gear is considered obsolete by the majority, but for those still living on the fringes of time, there’s a quality of magic when pieces of gear from a different age power up — the dim glow of vacuum tubes purposefully burning and generating heat in the close quarters of a control room.

Rochester, NY, garage rock legends The Chesterfield Kings, with their new album We're Still All The Same. Fronted by Andy Babiuk (guitar historian/consultant and esteemed author of 'Beatles Gear: All the Fab Four's Instruments from Stage to Studio', 'Rolling Stones Gear' and other acclaimed books), The Chesterfield Kings' new 14-track album features the recent singles "Fly The Astral Plane", "Electrified" (co-written with Stevie Van Zandt), and "Meet You After Midnight." We're Still All The Same was recorded at Fab Gear Studios in Rochester, NY and produced by the legendary Ed Stasium (The Ramones, Talking Heads, The Smithereens, Mick Jagger to name a few) and serves as the band's first LP in 15 years, after a lengthy hiatus. Throughout the recording of the album, The Chesterfield Kings used over 50 vintage guitars and a massive amount of vintage amps and keyboards (culled from Babiuk's vast collection), resulting in an electrifying blend of classic tones that resonate with a timeless rock 'n' roll spirit, while maintaining a modern edge.

Returning to Lex Records with twelve genre-defying cuts, GILA's ‘Domain Expansion’ LP seamlessly blends elements of club, ambient, and hip-hop-infused electronics.

This book provides insights into current research topics of powertrains for the next generation of electric vehicles as well as related vehicle components (e-axles, transmissions, brake systems, etc.). Further, as the interaction with the charging infrastructure becomes more and more important, also the topic charging is discussed in detail. Finally, communication and control not just within the vehicles but also with the infrastructure are needed and are treated in this book.