Electronic

One of the first of the blissed-out rave acts to storm the charts, and also one of the longest lasting, the Future Sound of London deserved a good singles compilation, and fortunately they get one with the Virgin retrospective Teachings from the Electronic Brain. Their highest moments were virtually always their singles, and short-form tracks offer a much easier path to understanding the music of Brian Dougans and Garry Cobain than their occasionally bloated LPs. Teachings from the Electronic Brain neglects nothing of real value, beginning with their first chart hit ("Papua New Guinea") and grabbing the best tracks from their albums Accelerator ("Expander"), Lifeforms (the title track), the live-in-the-studio ISDN ("Far-Out Son of Lung and the Ramblings of a Madman," "Smokin' Japanese Babe"), and Dead Cities ("We Have Explosive"). Best of all, licensing requirements prevented the addition of material from 2002's half-baked The Isness.

The electronic music emanating from the Scandinavian region encompasses a vast universe and has a long tradition behind it. In 1964 the electronic music studio EMS in Stockholm opened as a conventional analogue studio, its primary intention being to build the world’s most advanced hybrid studio and to conduct an international research program into sound and sound perception. Since then the Scandinavian electronic music scene has continued to flourish decade upon decade, culminating in the most recent ambient and minimalistic sound shapes. Unexplained Sounds Group, started researching Scandinavian electronic and experimental music in 2015 when it published the Scandinavian experimental underground 015 survey.

Atmosphere: Electronic Suite is an album by Eloy Fritsch, a keyboard player known for his work in the progressive rock group Apocalypse. As a solo artist he creates cosmic electronic music. The closest comparison would be probably Vangelis, if considering his early work, which included many analogue instruments…

The albums of the Buenos Aires / Paris series are a point of reference within the creative scene of electronic tango in Buenos Aires. Thanks to extensive research, Buenos Aires / Paris Troisième Voyage (the third volume of the saga) returns to present the most popular artists of this genre, with new tracks off of their most recent albums, material that has yet to be released and exclusive remixes. As we all know, electronic tango has developped into one of the new music styles of this century.

German musician Frank Dorittke, aka F.D. Project, is originally a guitarist from the Dinslaken-based band Imagine. He got interested in electronic music around 1991, and became influenced by the music of Tangerine Dream. The versatile and accessible music of F.D. Project is not that simply to depict as it’s influences range from Tangerine Dream to Mike Oldfield, at other occasions keenly blending elements from the Berlin School and guitar riffs. At times it can be melodic and up-tempo, then switching to captivating atmospheric textures and soundscapes.

Following the notable impact of Volume 1, PMB returns from the challenge of researching and putting together a masterpiece to give us Buenos Aires - Paris 2, another fascinating compilation of the most outstanding songs and performers of the genre, which has positioned itself in the global market for electronic music as one of the most original new sounds of the 21ST century. In Buenos Aires - Paris we find artists that transcend the globe including Tanghotic, Carlos Libedinsky & Narcotango, Tanghetto, Otros Aires, Federico Aubele (who released his discs through Eighteenth Street Lounge Music, the record label belonging to the always influential Thievery Corporation), as well as the addition of two Argentine standouts, Jaime Torres and the talented Amelita Baltar (the voice of various musical pieces composed by Astor Piazzolla), who present us with Frio Intenso, a song that is just as new as it is musically innovative.