Several years ago, Anthony and I discovered our mutual (giddy) enthusiasm for the music of Richard Wagner. I feel compelled to mention this because there is a positively orchestral, if not Wagnerian, element to our recording together—a sonic Gesamtkunstwerk, if you will, representing all registers of playing. In each take, new drama unfolds, as if each were a new act in an operatic continuum.
Varg Vikernes made his name as one of the Norwegian black metal scene's more notorious figures early on, involved not just with the extreme music of Mayhem and other black metal groundbreakers, but also with church burnings, murder, and time spent in prison for his crimes. This is all old news to anyone familiar with Vikernes and his one-man project Burzum, a musical entity that shifted from early black metal darkness into progressively more and more ambient territory. With 11th album The Ways of Yore, Vikernes continues the foray into European medieval music that he began with 2013's Sôl Austan, Mâní Vestan. The album's inherent gloom comes not from the burning hatred and isolation that fueled earlier Burzum albums, but conveys the same intensity through its use of chant and traditional instruments of early Norwegian folk music…
Orquesta Metafisica were founded as a Buenos Aires-based experimental rock ensemble by two Argentine music genies Sebastián VOLCO (piano, Moog / composition) and Sebastián ROSENFELDT (bass / production). The duo have recruited Sebastián RICCAIARDI (drums, percussion), Fabián ARAYA (saxophone, flute, trumpet), Pablo GIGNOLI (bandoneon), and Mariano MALAMUD (viola), while they have released the debut album with the human spirit adventure theme named "7 Movimientos" in 2011 via Omrecords (their own label). This new opus comes as a follow-up to 7 Movimientos, an instrumental album in which the band narrated a story about liberation of the spirit. In HIPNOTIZADOS, it develops the topic of public opinion manipulation via the mass media, suggesting that people in all societies succumb to the same discourse which aims at generating fear, obedience and mistrust.
This album, the first under the band's name in six and a half years, is a jazz alternative album with a multilingual and hardcore taste that differs greatly from previous albums.